American fiction -- 19th century; Artists -- Fiction
"Stanton," said Van Berg, a little abruptly, before they parted
that evening, "I fear, from your cousin's appearance, she was ill
when she left the parlor."
"I've given up trying to understand Ida. When she came down with
her mother, she looked like an incensed goddess, and when she
returned she reminded me of the fading white lily she wore in her
hair. I give it up," concluded Stanton, whose language had become
a trifle figurative and poetic of late.
"I don't," muttered the artist, after smoking the third consecutive
cigar in solitude.
Chapter XLVII. The Concert Garden Again.
Van Berg had scarcely ever known a day to pass more slowly and
heavily than Monday. He had taken pains to be present at Ida's
departure with her father, and it had depressed him unaccountably
that she had been so quiet as to seem even a little cold in her
farewell. She would not look towards him, nor could he catch her
eye or obtain one friendly expression. He did not know that the
poor girl dared not smile or speak lest she should be too friendly,
and that she avoided him with the instinct of self-preservation.
His conclusion was: "She finds, after thinking it all over, that
she has far more to forgive than she thought, and my presence
reminds her of everything she would be glad to forget."
He tried once or twice to find Jennie Burton, but did not succeed.
She made no apparent effort to avoid him, and was so cordial in
her manner when they met that he had severe compunctions that he
did not seek her society resolutely and press his suit. "The summer
is drawing to a close," he muttered, "and nothing is settled. Confound
it all! I'm the least settled of anything. The best chance I shall
ever have is passing swiftly. Ever faculty I possess assures me
that she is the one woman of all the world. I honor her, I reverence
her, I admire her and everything she does and says. I trust her
implicitly, even though she is so shrouded in mystery. What the
mischief is the matter with my old water-logged heart that it should
be so heavy and dumpish?"
But so it was. Jennie Burton smiled on him and others as brightly
as ever, and yet he knew her heart was breaking, for she was growing
slighter and more spirit-like daily. His desire to comfort her,
however, by a life-long effort ebbed away, till he was cursing himself
for a fickle, cold-blooded wretch. "I had better shut myself up
in my studio," he said to himself. "I may make a painter, but I
never will anything else;" and early on Tuesday he went doggedly
to work on Mr. Eltinge's picture.
Public-domain text, read in full here on John Shaqi.
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