American fiction -- 19th century; Artists -- Fiction
"Your rather sentimental figure of speech, Mr. Van Berg, shows
where your error lies. Miss Mayhew and myself are not pellucid
drops of dew that you look through at a glance. We are women: and
the one thing in this world which men never will learn to understand
is a woman. I'm going to puzzle you still further. I am learning
to have a very thorough respect for Miss Mayhew. I am beginning to
admire her exceedingly, and to think that she is growing exquisitely
beautiful; and yet were she here this week you would find that I
would not seek her society. Give your mind to your art, and never
hope to untangle the snarl of a woman's mind. Men, in attempting
such folly, have become hopelessly entangled. Take a woman's word
for it--what you see you can't reason out. I've no doubt but that
Miss Mayhew has excellent reasons for disliking me, and the fact
that you can't understand them is nothing against them."
"Miss Jennie," said Van Berg resolutely, "for once I cannot take
your word for it. You two ladies have puzzled me all summer, and
I'll never be content till I solve the mysteries which so baffle
me. My interest is not curiosity, but friendship, to say the
least, that I hope will last through life. You will tell me some
day all your trouble, and you will feel the better for telling me."
She became very pale at these words, and said gravely: "I cannot
promise that--I doubt it. You may have to trust me blindly till
you forget me."
"I do not trust you blindly; I never will forget you," he began,
impetuously.
"Good-night, Mr. Van Berg," she said, and in a moment he was alone
on the piazza.
"She is an angel of light, he muttered, "and not a woman. I could
worship her, but I'm too earthy in my nature to lover her as I
ought."
He took the earliest train to New York, and so had a long afternoon
in his studio. He was surprised to find how absorbed he soon became
in his work. "Miss Jennie is right," he thought; "I'm an artist,
and not a reformer or a metaphysician, and I had better spend my
time here than in trying to solve feminine enigmas;" and he worked
like a beaver until the fading light compelled him to desist.
"There," he said, "that is a fair beginning. Two or three more
days of work like this will secure me, I think, a friendlier glance
than Miss Ida gave me last." From which words it might be gathered
that he was thinking of other rewards than mere success in his art.
In the evening the wand of Theodore Thomas had a spell which
he never thought of resisting, and it must be admitted that there
lurked in his mind the hope that Ida and her father might be drawn
to the concert garden also. If so, he was sure he would pursue
his investigations.
Public-domain text, read in full here on John Shaqi.
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