American fiction -- 19th century; Artists -- Fiction
As he realized the truth he fairly trembled with apprehension and
longing. "Oh, if Ida could only marry that man I would be almost
beside myself with joy," he thought; "but I fear it is rash even
to hope for such a thing. Indeed, I myself am the obstacle that
would probably prevent it all. The Van Bergs are a proud race,
and this young man's father knows me too well. O God! I could be
annihilated if thereby my child could be happy."
"Ida," he said, hesitatingly, "perhaps I had better not go with you
this morning. I imagine Mr. Van Berg asked me out of politeness
rather than from any wish to see me and--and--I think I had better
not go."
She looked up at him swiftly, and the rich color mantled her face,
for she read his thoughts in part. But she only said quietly:
"Then I will not go."
"That would not be right or courteous, Ida," but I think you young
people will get on better without me."
"You are mistaken, Father; I never intend to get on without you,
and any friend of mine who does not welcome you becomes a stranger
from that hour. But I think you are doing Mr. Van Berg an injustice.
At any rate we will give him a chance to show a better spirit."
"Ida, my child, if you only knew how gladly I would sacrifice myself
to make you happy!"
She came to him and put her arms around his neck and looking up
into his face said, with the earnestness and solemnity of a vow,
"I will take no happiness which I cannot receive as your loving
daughter. As long as you are the man you have been since Sunday I
will stand proudly at your side. If you should ever be weak again
you will drag me down with you."
He held her from him and looked at her as a miser might gloat over
his treasure.
"Ida, my good angel," he murmured.
"Nonsense!" she exclaimed, trying to hide her feelings by a little
brusqueness, "I'm as human a girl as there is in this city, and will
try your patience a hundred times before the year is out. Come,
let us go and visit this proud artist. He had better beware, or
he may find an expression on my face that he won't like if I should
decide to give him a sitting."
But the artist did like the expression of Ida's face as he glanced
up from his work with great frequency and with an admiring glow in
his eyes that was anything but cool and business-like. Even her
jealous love had not detected a tone or act in his reception of
her father that was not all she could ask, and she had never seen
the poor man look so pleased and hopeful as when he left the studio
for his office. There had not been a particle of patronage in
Van Berg's manner, but only the cordial and respectful courtesy of
a younger gentleman towards an elderly one. Mr. Mayhew had been
made at home at once, and before he left, the artist had obtained
his promise to come again with his daughter on the following morning.
Public-domain text, read in full here on John Shaqi.
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