American fiction -- 19th century; Artists -- Fiction
Sibley did not appear until the arrival of the dinner hour. He was
under the impression that he had gone a little too far the night
before, and tried to make amends by an immaculate toilet and an
urbane yet dignified courtesy towards all whom he knew. Society
very readily winks at the indiscretions of wealthy young men.
Moreover, he had been inveigled back to his room before his condition
had been observed to any extent. There fore he found himself so
well received in the main, that he soon fully recovered his wonted
self-assurance.
Mrs. Mayhew was particularly gracious; and Ida, who at first had
been somewhat distant towards him as well as all others, concluded
that she had not sufficient cause to be ashamed of him, and so
it came about that they spent much of the afternoon and evening
together. She did not fail to note, however, that when he approached
Van Berg he received a cold and curt reception. Was jealousy
the cause of this? In her elation and excitement on the previous
evening, she had been inclined to think so, but now she feared that
it was because the artist despised the man; and in her secret soul
she was compelled to admit that he had reason to despise him--yes,
to despise them both. She felt, with bitter humiliation, that his
superiority was not assumed but real.
More than once before the day closed, she found herself contrasting
the two men. The one had not had a shred of true worth about him.
Stanton, to teaze her and to justify his interference, had told her
that Mr. Burleigh had been compelled to take charge of her companion
in order to prevent him from disgracing himself and the house.
Although too proud to acknowledge it, she still saw plainly that
it was her cousin's interference, and indirectly the intervention
of the artist that had kept her from being involved in that disgrace.
Even her perverted mind recognized that one was a gentleman, and
the other--well, "a fashionable young man," as she would phrase
it. The one, as a friend, would shield her from every detracting
breath; the other, if given a chance, would inevitably tumble into
some slough of infamy himself, and drag her after him with reckless
selfishness.
Still, with something like self-loathing, she saw that Sibley was
her natural ally and companion, and that she had far more in common
with him than with the artist. She could easily maintain with him
the inane chatter of their frivolous life, but she could not talk
with the artist, nor he with her, without an effort that was as
humiliating as it was apparent.
Public-domain text, read in full here on John Shaqi.
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