A Fair Mystery: The Story of a CoquetteBrame, Charlotte M.
General
A Fair Mystery: The Story of a Coquette
Brame, Charlotte M.
Fiction
Then he shook hands with the artist, for it seemed to him every moment
spent there was lessening his chance of finding Doris. He would start at
once for Florence. It was a frail clew, after all, feeble and weak, yet
well worth following. Of course, it was all a mistake about her being
married--she was a governess, not a married lady; yet that mistake
seemed to him of very little consequence. The only doubt was that having
made one mistake, was it likely the artist had made another?
"Good-bye," said Gregory Leslie, in answer to the farewell words of
Earle. "Good-bye: you will let me hear how you get on."
Then he went. He never rested day or night until he was in Florence.
Then, exhausted by the long journey, he was compelled to seek repose. He
did what was wisest and best in going at once to the best hotel, the one
most frequented by the English. There he made many inquiries. There were
many English in Florence, but he did not hear of any young lady who was
particularly beautiful. The people at the hotel spoke freely enough;
they discussed every one and everything, but he heard no allusion to any
one who in the least degree resembled Doris.
When he had rested himself he began his search in Florence. At first it
seemed quite hopeless. He went through the churches, though he owned to
himself that he need not hope to find her there. He went almost daily to
the principal places of public resort; no evening passed without his
going to the opera, but he never caught sight of a face like hers. Once
he followed a girl with golden hair all through the principal streets of
Florence; when he came nearer to her, he saw that the hair was neither
so bright, so silky, or so abundant as that of Doris. The girl turned
her face--it was not the fair, lovely face of the girl he worshiped.
He spent many hours each day in the picture-galleries. Some of the
fairest pictures hung before his eyes, yet he, whose love for art and
beauty was so passionate, never even saw them. He feared to look at the
pictures on the wall, lest he should miss one of the living faces. He
saw many, but among them he never saw her.
He spent a week in this fashion, and then his heart began to fail him;
it was impossible that she should be in Florence, or surely before this
he must have seen her. He wrote to Gregory Leslie and told him of his
failure.
"I am afraid either your friend is mistaken or that she has gone away,"
he said. And if she had gone, where was he to look next?
Public-domain text, read in full here on John Shaqi.
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