"Look at her playing the goody-goody. I'll bet, you yourself---" jested
Arina Petrovna.
The woman fairly revelled in the affair. Arina Petrovna recalled a
number of incidents from her past, and did not fail to narrate them.
First she told of her own pregnancies, what tortures she had had to
stand from Simple Simon; how, while carrying Pavel Vladimirych, she
travelled by post to Moscow, changing horses at every stage so as not
to miss the Dubrovino auction, and as a result nearly departed to the
better world, etc., etc. All her deliveries had been remarkable for
something or other. Yudushka's was the only one that had come easy.
"I didn't feel the least bit of heaviness," she said. "I would sit and
think, 'Lord, am I really pregnant?' And when the time came I just lay
down to rest for a few minutes and I don't know how it happened--I gave
birth to him. He was the easiest son to me, the very, very easiest."
Then followed stories about domestics, how she herself "caught some of
them in the act," how others were spied upon by her trusties, Ulita
being generally the leader. Her old woman's memory faithfully guarded
these remarkably distinct recollections. In all her drab past--always
devoted to hoarding on both a petty and a large scale, the tracking of
lust-stricken domestics was the only romantic element that touched a
living chord in her.
It was as if in a dull magazine where the reader expects to find
treatises on dry fogs and Ovid's grave, he suddenly comes upon "See
the troika, gaily dashing," or some such spirited song of gaiety or
sadness. The dénouement of these simple love affairs of the maids' room
was generally drastic and even cruel. The woman was married off into
a remote village, by all means to a widower with a large family, the
male culprit was degraded to the position of a cattle tender or even
pressed into military service. Arina Petrovna's recollection of the
closing chapters of such romances had faded (cultured people have a
memory indulgent of their own past), but the spying out of the amorous
intrigues passed before her eyes in all its vividness. And no wonder.
In those days there was the same absorbing interest in spying of that
sort as there is nowadays in the serial "evening story," in which the
author, instead of at once crowning the mutual longing of the hero and
the heroine, breaks off at the most pathetic place and writes, "to be
continued."
"Those girls gave me no end of trouble. Some would keep up the pretense
to the last minute, and would feign and sham in the hope of eluding me.
But no, my dear, you can't fool me. I am an old hand at it myself," she
added almost sternly, as if threatening some one.
Finally came the stories of diplomatic pregnancies, so to speak, in
which Arina Petrovna had figured not as the chastiser, but as the
accomplice and concealer.
Public-domain text, read in full here on John Shaqi.
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