The next morning, while the young mother was tossing about in delirium,
Porfiry Vladimirych was standing at the window in the dining-room,
moving his lips and making the sign of the cross on the window pane.
A cart, roofed over with mats, was leaving the front yard. It was
carrying Volodka away.
It climbed up the hill, drove by the church, turned to the left and
vanished in the village. Yudushka made another sign of the cross and
sighed:
"The other day the priest was speaking about thawing weather," he
said to himself, "but God sent us a frost instead. And a fine frost,
at that. So it always is with us. We dream, we build castles in the
air, we philosophize proudly and think we'll excel God Himself in
His wisdom, but God in a trice turns our haughtiness of spirit into
nothingness."
BOOK VI
THE DESERTED MANOR-HOUSE
CHAPTER I
Yudushka's agony commenced when the resources of loquaciousness,
in which he had so freely indulged, began to give out. A void had
formed around him. Some had died, others had deserted him. Even
Anninka preferred the miserable future of a nomadic actress to the
flesh-pots of Golovliovo. Yevpraksia alone remained. But Yevpraksia's
conversational gifts were limited, and, more than that, Yevpraksia was
now a changed person. It was the difference that had occurred in her
which convinced Yudushka that his halcyon days were gone forever.
Till then Yevpraksia had been so helpless that Porfiry Vladimirych
could tyrannize over her without the slightest risk, and her mental
development was so backward and her character so flabby that she had
not even felt the oppression. During Yudushka's harangues she would
look into his eyes apathetically, and think of something else. But now
suddenly she grasped something important, and the first consequence of
awakened understanding was repugnance, sudden and half-conscious, but
vicious and insuperable.
Anninka's stay had evidently not been without results for Yevpraksia.
The casual conversations with the young actress had quite upset her.
Previously she would never have dreamed of wondering why Porfiry
Vladimirych, as soon as he met a man, instantly started to weave around
him an oppressive net of words, sinister in their emptiness. Now she
perceived it was not talking that Yudushka did, but tyrannizing, and
it would be well worth the while to pull him up short and make him
feel the time had come for him, too, to go easy. So, from now on, she
listened to his endless flow of words and soon realized that the one
purpose of Yudushka's talk was to worry, annoy, nag.
"The mistress herself said she didn't know why he talked so much,"
Yevpraksia reasoned. "No, it's his meanness working in him. He knows
who is unprotected and at his mercy. And so he turns and twists them
anyway he wants to."
Public-domain text, read in full here on John Shaqi.
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