Anninka had gone downhill very fast. It was true that her first visit
to Golovliovo had aroused the consciousness of being a "lady," of
having her own nest and her own graves, of not being confined in her
life to the squalor and uproar of hotels and inns, and of having a
shelter where she would be safe from vile breaths infected with the
odor of wine and the stable, from hoarse voices, bloodshot eyes,
indecent gestures. But alas! No sooner did Golovliovo disappear from
sight than this purifying consciousness vanished from her mind.
Anninka had gone from Golovliovo straight to Moscow, and solicited a
position on the government stage both for herself and her sister. With
this in view she turned for aid to _maman,_ that is, the directress of
the boarding-school where she had been educated, and to several of her
classmates. _Maman_ was at first quite kind to her, but as soon as she
discovered that her former pupil had acted on the provincial stage,
her pleasant manner changed to one of haughtiness and sternness. As
for Anninka's classmates, who were mostly married women, they eyed her
with an impertinent astonishment that quite frightened her. Only one
of them, better-natured than the rest, asked her, evidently wishing to
show sympathy:
"Tell me, darling, is it true that when you actresses dress for the
stage, officers lace your corsets?"
In a word, her attempts to gain a foothold in Moscow remained
unsuccessful. The truth of the matter was, she did not possess the
necessary qualifications for theatrical success in the capital. She
and her sister Lubinka belonged to that class of lively, but not very
talented actresses who play one part all their lives. Anninka had made
a hit in _Pericola,_ Lubinka in _Pansies_ and _Old-time Colonels,_ and
whatever new rôles they studied strangely resembled their successful
parts, or, in the majority of cases, were a complete failure. Anninka
often had to play _Fair Helen_ also. She would wear a flaming red wig
over her ash-colored hair, and cut her tunic down to her waist line,
but she was mediocre and dull, not even cynical. From _Fair Helen_ she
passed to the _Duchess of Herolstein._ In this her colorless acting
was coupled with a completely preposterous _mise en scène_, and the
outcome was altogether miserable. At last she undertook to play the
role of Clairette in _The White Slave._ But she overdid her part to
such an extent that even the none too refined provincial public was
shocked by her behavior on the stage, which she turned into a mire of
corruption. Anninka gained the reputation of being a clever actress
with a fairly good voice, and since she was pretty, she could get an
audience in the provinces. But that was all. Lacking individuality, she
could not attain permanent success. Even among the provincial public
she was popular mainly with army officers, whose chief ambition was to
obtain access behind the scenes. She could have got an engagement in
Public-domain text, read in full here on John Shaqi.
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