She would pace from room to room, humming, trying to tire herself out,
but chiefly endeavoring to drive her thoughts away. In walking toward
the sitting-room she would fix her eyes upon the circle of light about
the candle, and walking away from it, she would try to single out some
point in the darkness and keep her eyes fixed on it. But in spite of
her efforts reminiscences surged up in her mind irresistibly. She saw
the dressing-room with its cheap wall paper, the inevitable pier-glass
and the equally inevitable bouquet from Lieutenant Pankov II; the stage
with the stage-properties, sooty, slippery from the damp; the hall with
its pieces of furniture picked up at random and its boxes upholstered
in threadbare purple plush,--the hall which, seen from the stage,
looked trim and even splendid, but in reality was dark and miserable.
And finally--officers, officers, officers without end. Then she saw the
hotel with the vile-smelling corridor, dimly lit by the smoky kerosene
lamp; the room she would dart into in order to change her dress for
further triumphs, the room with the bed in disorder from the morning;
the wash-stand full of dirty water, the bed-sheet lying on the floor,
her cast-off underwear forgotten on a chair. Next she saw herself in
the general dining-room, filled with kitchen odors, the tables set for
supper, with its tobacco smoke, noise, crowds, drinking, debauchery.
And again officers, officers, officers without end.
Such were her memories of the time she had once called the years of
her successes, triumphs, prosperity.
These reminiscences were followed by others, the prominent part in
which was played by the inn, filled with a foul stench, with walls on
which the vapor froze in the winter time, insecure flooring, and board
partitions, the glossy bellies of bed-bugs showing in the crevices.
Nights of drinking and brawls, travelling squires hastily taking
greenbacks out of their meager pocket-books, merchants encouraging the
"actresses" almost with a whip in hand. And in the morning--headaches,
nausea, and utter dejection. At last--Golovliovo.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account