A Fantasy of Far Japan; Or, Summer Dream DialoguesSuematsu, Kencho
Philosophy
A Fantasy of Far Japan; Or, Summer Dream Dialogues
Suematsu, Kencho
Japan -- Civilization
The written language of China, viz. ideographs, is the same all over
the extensive sphere of China proper, but its pronunciation is different
almost in every province. The spoken language of the Chinese is, roughly
speaking, the same as the written language, as is the case in the
Western nations. Therefore, the Chinese residing in different provinces
do not understand each other colloquially, except those educated in the
Mandarine Chinese, which is in fact the pronunciation used in Peking
amongst the Mandarins and studied by all Mandarins in provinces as well
as those in Peking.
The first difference between Chinese and Japanese is that the former is
monosyllabic, whilst the latter is polysyllabic. The second difference,
which is a natural consequence of the first, is that in Chinese there is
no declension of nouns or conjugation of verbs, whilst in Japanese there
are conjugations of verbs and a method of the formation of the cases of
nouns which is in purport similar to declensions. The third difference
is the position or order of words in sentences. The fourth difference is
the difference of pronunciation of the Chinese ideographs, viz.
characters, even when they are used in our writing in their original
shapes.
I will now explain in detail all these points in the succeeding pages.
To begin with, Chinese is monosyllabic, as I said. Each word, which
always has one signification, be it a noun or a verb, has only one
sound. Thus a harbour in Chinese is _kong_, whilst it is _minato_ in
Japanese; and a man in Chinese is _jen_, whilst it is _hito_ in
Japanese. It is the same with verbs. The sound of each word of Chinese
never changes, whatever position it may stand in relation to other words
in the same sentence, that is to say, there is no declension and no
conjugation. Each word is represented by a distinct ideograph, and, from
what I have just said, it follows that the form of the ideographs also
never changes, in the same way as the sounds do not change.
Public-domain text, read in full here on John Shaqi.
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