Ethics -- Fiction; Religion and sociology -- Fiction; Upper class families -- Fiction
Beyond the range of hills rising from the far side of the Ashuela was
the wide valley in which was situated the Cloverdale Country Club, with
its polo field, golf course and tennis courts; and in this same
valley some of our wealthy citizens, such as Howard Ogilvy and Leonard
Dickinson, had bought “farms,” week-end playthings for spring and
autumn. Hambleton Durrett had started the fashion. Capriciously, as he
did everything else, he had become the owner of several hundred acres
of pasture, woodland and orchard, acquired some seventy-five head of
blooded stock, and proceeded to house them in model barns and milk by
machinery; for several months he had bored everyone in the Boyne Club
whom he could entice into conversation on the subject of the records of
pedigreed cows, and spent many bibulous nights on the farm in company
with those parasites who surrounded him when he was in town. Then
another interest had intervened; a feminine one, of course, and his
energies were transferred (so we understood) to the reconstruction and
furnishing of a little residence in New York, not far from Fifth Avenue.
The farm continued under the expert direction of a superintendent
who was a graduate of the State Agricultural College, and a select
clientele, which could afford to pay the prices, consumed the milk and
cream and butter. Quite consistent with their marital relations was
the fact that Nancy should have taken a fancy to the place after Ham's
interest had waned. Not that she cared for the Guernseys, or Jerseys,
or whatever they may have been; she evinced a sudden passion for
simplicity,--occasional simplicity, at least,--for a contrast to and
escape from a complicated life of luxury. She built another house for
the superintendent banished him from the little farmhouse (where Ham had
kept two rooms); banished along with the superintendent the stiff plush
furniture, the yellow-red carpets, the easels and the melodeon, and
decked it out in bright chintzes, with wall-papers to match, dainty
muslin curtains, and rag-carpet rugs on the hardwood floors. The
pseudo-classic porch over the doorway, which had suggested a cemetery,
was removed, and a wide piazza added, furnished with wicker lounging
chairs and tables, and shaded with gay awnings.
Public-domain text, read in full here on John Shaqi.
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