A Fearful Responsibility and Other StoriesHowells, William Dean
General
A Fearful Responsibility and Other Stories
Howells, William Dean
Manners and customs -- Fiction
If I were here telling a story of the Paronsina, or indeed any story at
all, I might suffer myself to enlarge somewhat upon the daily order of
her secluded life, and show how the seclusion of other Venetian girls
was the widest liberty as compared with hers; but I have no right to
play with the reader's patience in a performance that can promise no
excitement of incident, no charm of invention. Let him figure to
himself, if he will, the ancient and half-ruined palace in which the
notary dwelt, with a gallery running along one side of its inner court,
the slender pillars supporting upon the corroded sculpture of their
capitals a clinging vine, that dappled the floor with palpitant light
and shadow in the afternoon sun. The gate, whose exquisite Saracenic
arch grew into a carven flame, was surmounted by the armorial bearings
of a family that died of its sins against the Serenest Republic long
ago; the marble cistern which stood in the middle of the court had still
a ducal rose upon either of its four sides; and little lions of stone
perched upon the posts at the head of the marble stairway climbing to
the gallery, their fierce aspects worn smooth and amiable by the contact
of hands that for many ages had mouldered in tombs. Toward the canal
the palace windows had been immemorially bricked up for some reason or
caprice, and no morning sunlight, save such as shone from the bright
eyes of the Paronsina, ever looked into the dim halls. It was a fit
abode for such a man as the notary, exiled in the heart of his native
city, and it was not unfriendly in its influences to a quiet vegetation
like the signora's; but to the Paronsina it was sad as Venice itself,
where, in some moods, I have wondered that any sort of youth could have
the courage to exist. Nevertheless, the Paronsina had contrived to grow
up here a child of the gayest and archest spirit, and to lead a life of
due content, till after her return home from the comparative freedom and
society of Madame Prateux's school, where she spent three years in
learning all polite accomplishments, and whence she came, with brilliant
hopes and romances ready imagined, for any possible exigency of the
future. She adored all the modern Italian poets, and read their verse
with that stately and rhythmical fulness of voice which often made it
sublime and always pleasing. She was a relentless patriot, an
Italianissima of the vividest green, white, and red; and she could
interpret the historical novels of her countrymen in their subtilest
application to the modern enemies of Italy. But all the Paronsina's
gifts and accomplishments were to poor purpose, if they brought no young
men a-wooing under her balcony; and it was to no effect that her fervid
fancy peopled the palace's empty halls with stately and gallant company
out of Marco Visconti, Nicolo de' Lapi, Margherita Pusterla, and the
other romances, since she could not hope to receive any practicable
offer of marriage from the heroes thus assembled.
Public-domain text, read in full here on John Shaqi.
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