American fiction -- 19th century; California -- Fiction; Contra Costa County (Calif.) -- Fiction; Western stories
“No. He only wanted to know something about me. That's the way with them
all, Loo. Whenever I apply for work anywhere it's always: 'So you're
Dan'l Harcourt's son, eh? Quarreled with the old man? Bad job; better
make it up! You'll make more stickin' to him. He's worth millions!'
Everybody seems to think everything of HIM, as if I had no individuality
beyond that, I've a good mind to change my name.”
“And pray what would mine be then?”
There was so much irritation in her voice that he drew nearer her and
gently put his arm around her waist. “Why, whatever mine was, darling,”
he said with a tender smile. “You didn't fall in love with any
particular name, did you, Loo?”
“No, but I married a particular one,” she said quickly.
His eyelids quivered again, as if he was avoiding some unpleasantly
staring suggestion, and she stopped.
“You know what I mean, dear,” she said, with a quick little laugh. “Just
because your father's an old crosspatch, YOU haven't lost your rights to
his name and property. And those people who say you ought to make it up
perhaps know what's for the best.”
“But you remember what he said of you, Loo?” said the young man with a
flashing eye. “Do you think I can ever forget that?”
“But you DO forget it, dear; you forget it when you go in town among
fresh faces and people; when you are looking for work. You forget it
when you're at work writing your copy,--for I've seen you smile as
you wrote. You forget it climbing up the dreadful sand, for you were
thinking just now of what happened years ago, or is to happen years to
come. And I want to forget it too, Milty. I don't want to sit here all
day, thinking of it, with the wind driving the sand against the window,
and nothing to look at but those white tombs in Lone Mountain Cemetery,
and those white caps that might be gravestones too, and not a soul to
talk to or even see pass by until I feel as if I were dead and buried
also. If you were me--you--you--you--couldn't help crying too!”
Indeed he was very near it now. For as he caught her in his arms,
suddenly seeing with a lover's sympathy and the poet's swifter
imagination all that she had seen and even more, he was aghast at the
vision conjured. In her delicate health and loneliness how dreadful must
have been these monotonous days, and this glittering, cruel sea! What
a selfish brute he was! Yet as he stood there holding her, silently and
rhythmically marking his tenderness and remorseful feelings by rocking
her from side to side like a languid metronome, she quietly disengaged
her wet lashes from his shoulder and said in quite another tone:--
“So they were all at Tasajara last week?”
“Who, dear?”
“Your father and sisters.”
“Yes,” said John Milton, hesitatingly.
“And they've taken back your sister after her divorce?”
The staring obtrusiveness of this fact apparently made her husband's
bright sympathetic eye blink as before.
Public-domain text, read in full here on John Shaqi.
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