A Five Years' Residence in Buenos Ayres, During the years 1820 to 1825: Containing Remarks on the Country and Inhabitants; and a Visit to Colonia Del SacramentoLove, George Thomas
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A Five Years' Residence in Buenos Ayres, During the years 1820 to 1825: Containing Remarks on the Country and Inhabitants; and a Visit to Colonia Del Sacramento
Love, George Thomas
Buenos Aires (Argentina) -- Description and travel; Colonia del Sacramento (Uruguay) -- Description and travel
Upon entering or leaving a church, many of the congregation are content
to receive the holy water at second hand; that is to say, one who is
near the vessel which contains it will dip his fingers in, and furnish
to three or four other persons drops of the sacred element, to make the
sign of the cross. The ladies often condescend to mark with this water
the foreheads of their female slaves and attendants.
At "oration time," in the dusk of evening, a small bell tingles from the
churches, when, it is presumed, every true Catholic whispers a prayer.
In Buenos Ayres, I am afraid, this is not always the case.
Some of the music sung in the masses is very pretty: friars and boys
are the vocalists, selected from the best voices. Friar Juan, at the
Cathedral, has a fine bass voice. The Portuguese hymn they sing with
science; but, as I had heard this hymn at the Portuguese Ambassador's
Chapel in London, in which several of the first-rates of the Opera took
parts, the effect here was diminished: they select, too, from profane
music, and I applaud them for it, following the remark attributed to our
Rev. Rowland Hill, on the introduction of "Rule Britannia," and "Hearts
of Oak," into his chapel--"It is really a great shame the devil should
have all the pretty tunes to himself." If music be the "food of love,"
it is equally so of religion, insensibly leading the mind to an
enthusiasm, and that softness, that compensates for "a dull age of
pain." I wish they would reform the dismal hum-drum music of our English
churches. I do not wish the lively dance; but something a little less
gloomy than the present mode. My English friends will be shocked to hear
that in a Buenos Ayres church they have played and sung to the charming
air that opens our petit opera of _Paul and Virginia_, "See from ocean
rising." At Monte Video, I heard the Tyrolean war song, or our "Merrily
O," upon the organ, in a church. Music and religion have, and will,
raise these people to war and desperation; other causes must combine to
have the same effect upon Englishmen.
Public-domain text, read in full here on John Shaqi.
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