A Flat Iron for a Farthing; or, Some Passages in the Life of an only SonEwing, Juliana Horatia
General
A Flat Iron for a Farthing; or, Some Passages in the Life of an only Son
Ewing, Juliana Horatia
Boys -- Juvenile fiction; Children's stories
It was not the house itself, though the building was remarkably fine
(a modern erection on the site of the old "Grange"), nor the natural
features of the place, though they were especially beautiful, that
roused the admiration of our teachers and their scholars. Somebody
said that the house was "a deal bigger than the Hall" (at Dacrefield),
and one or two criticisms were passed upon the timber; but the noble
park, the grand slopes, the lovely peeps of distance, the exquisite
taste displayed in the grounds and gardens about the house, drew
little attention from our party. Within, the succession of big rooms
became confusing. One or two bits in certain pictures were pronounced
by the farmers "as natteral as life;" the "stattys" rather
scandalized them, and the historical legends attached by the
housekeeper to various pieces of furniture fell upon ears too little
educated to be interested. But when we got to the big drawing-room the
yellow satin chairs gave general and complete satisfaction. When old
Giles said, "Here they be!" we felt that all he had told us before was
justified, and that we had not come to Oakford in vain. We stroked
them, some of the more adventurous sat upon them, and we echoed the
churchwarden's remark, "Yaller satin, sure enough, and the backs
gilded like a picter-frame."
I cannot but think that the housekeeper must have had friends visiting
her that day, which made our arrival inconvenient and tried her
temper--she was so very cross. She ran through a hasty account of each
room in injured tones, but she resented questions, refused
explanations, and was particularly irritable if anybody strayed from
the exact order in which she chose to marshal us through the house. A
vein of sarcasm in her remarks quite overpowered our farmers.
"Please to stand off the walls. There ain't no need to crowd up
against them in spacyous rooms like these, and the paper ain't one of
your cheap ones with a spotty pattern as can be patched or matched
anywhere. It come direct from the Indies, and the butterflies and the
dragons is as natteral as life. 'Whose picter's that in the last
room?' You should have kept with the party, young woman, and then
you'd 'ave knowed. Parties who don't keep with the party, and then
wants the information repeated, will be considered as another party,
and must pay accordingly. Next room, through the white door to the
left. Now, sir, we're a-waiting for you! All together, if you
please!"
[Illustration: "All together, if you please!"]
Public-domain text, read in full here on John Shaqi.
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