Toward the middle of the afternoon when Mr. Poopendyke and I were hard
at work on my synopsis we were startled by a dull, mysterious pounding
on the wall hard by. We paused to listen. It was quite impossible to
locate the sound, which ceased almost immediately. Our first thought
was that the telephone men were drilling a hole through the wall into
my study. Then came the sharp rat-a-ta-tat once more. Even as we looked
about us in bewilderment, the portly facade of Ludwig the Red moved
out of alignment with a heart-rending squeak and a long thin streak
of black appeared at the inner edge of the frame, growing wider,--and
blacker if anything,--before our startled eyes.
"Are you at home?" inquired a voice that couldn't by any means have
emanated from the chest of Ludwig, even in his mellowest hours.
I leaped to my feet and started across the room with great strides.
My secretary's eyes were glued to the magic portrait. His fingers,
looking like claws, hung suspended over the keyboard of the typewriter.
"By the Lord Harry!" I cried. "Yes!"
The secret door swung quietly open, laying Ludwig's face to the wall,
and in the aperture stood my amazing neighbour, as lovely a portrait
as you'd see in a year's trip through all the galleries in the world.
She was smiling down upon us from the slightly elevated position, a
charming figure in the very latest Parisian hat and gown. Something
grey and black and exceedingly chic, I remember saying to Poopendyke
afterwards in response to a question of his.
"I am out making afternoon calls," said she. Her face was flushed with
excitement and self-consciousness. "Will you please put a chair here
so that I may hop down?"
For answer, I reached up a pair of valiant arms. She laughed, leaned
forward and placed her hands on my shoulders. My hands found her waist
and I lifted her gently, gracefully to the floor.
"How strong you are!" she said admiringly. "How do you do, Mr.
Poopendyke! Dear me! I am not a ghost, sir!"
His fingers dropped to the keyboard. "How do you do," he jerked out.
Then he felt of his heart. "My God! I don't believe it's going."
Together we inspected the secret doors, going so far as to enter the
room beyond, the Countess peering through after us from my study. To
my amazement the room was absolutely bare. Bed, trunks, garments,
chairs--everything in fact had vanished as if whisked away by an
all-powerful genie.
"What does this mean?" I cried, turning to her.
"I don't mind sleeping upstairs, now that I have a telephone," she
said serenely. "Max and Rudolph moved everything up this afternoon."
Poopendyke and I returned to the study. I, for one, was bitterly
disappointed.
"I'm sorry that I had the 'phone put in," I said.
"Please don't call it a 'phone!" she objected. "I hate the word 'phone."
"So do I," said Poopendyke recklessly.
Public-domain text, read in full here on John Shaqi.
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