Ferris’s regiment was sent to a part of the southwest, where he saw a
good deal of fighting and fever and ague. At the end of two years, spent
alternately in the field and the hospital, he was riding out near the
camp one morning in unusual spirits, when two men in butternut fired
at him: one had the mortification to miss him; the bullet of the other
struck him in the arm. There was talk of amputation at first, but the
case was finally managed without. In Ferris’s state of health it was
quite the same an end of his soldiering.
He came North sick and maimed and poor. He smiled now to think of
confronting Florida in any imperative or challenging spirit; but the
current of his hopeless melancholy turned more and more towards her. He
had once, at a desperate venture, written to her at Providence, but he
had got no answer. He asked of a Providence man among the artists in New
York, if he knew the Vervains; the Providence man said that he did know
them a little when he was much younger; they had been abroad a great
deal; he believed in a dim way that they were still in Europe. The young
one, he added, used to have a temper of her own.
“Indeed!” said Ferris stiffly.
The one fast friend whom he found in New York was the governor’s dashing
aide. The enthusiasm of this recruiter of regiments had not ceased
with Ferris’s departure for the front; the number of disabled officers
forbade him to lionize any one of them, but he befriended Ferris; he
made a feint of discovering the open secret of his poverty, and asked
how he could help him.
“I don’t know,” said Ferris, “it looks like a hopeless case, to me.”
“Oh no it isn’t,” retorted his friend, as cheerfully and confidently as
he had promised him that he should not be shot. “Didn’t you bring back
any pictures from Venice with you?”
“I brought back a lot of sketches and studies. I’m sorry to say that I
loafed a good deal there; I used to feel that I had eternity before me;
and I was a theorist and a purist and an idiot generally. There are none
of them fit to be seen.”
“Never mind; let’s look at them.”
They hunted out Ferris’s property from a catch-all closet in the studio
of a sculptor with whom he had left them, and who expressed a polite
pleasure in handing them over to Ferris rather than to his heirs and
assigns.
“Well, I’m not sure that I share your satisfaction, old fellow,” said
the painter ruefully; but he unpacked the sketches.
Their inspection certainly revealed a disheartening condition of
half-work. “And I can’t do anything to help the matter for the present,”
groaned Ferris, stopping midway in the business, and making as if to
shut the case again.
Public-domain text, read in full here on John Shaqi.
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