“Ah yes, your friend. Does he like it there in America?” “Passably, passably. The Americans have no manners; but they are good devils. They are governed by the Irish. And the wine is dear. But he likes America; yes, he likes it. Nuova York is a fine city. But immense, you know! Eight times as large as Venice!” “Is your friend prosperous there?” “Ah heigh! That is the prettiest part of the story. He has made himself rich. He is employed by a large house to make designs for mantlepieces, and marble tables, and tombs; and he has--listen!--six hundred francs a month!” “Oh per Bacco!” cried Don Ippolito. “Honestly. But you spend a great deal there. Still, it is magnificent, is it not? If it were not for that blessed war there, now, that would be the place for you, Don Ippolito. He tells me the Americans are actually mad for inventions. Your servant. Excuse the freedom, you know,” said the man, bowing and moving away. “Nothing, dear, nothing,” answered the priest. He walked out of the station with a light step, and went to his own house, where he sought the room in which his inventions were stored. He had not touched them for weeks. They were all dusty and many were cobwebbed. He blew the dust from some, and bringing them to the light, examined them critically, finding them mostly disabled in one way or other, except the models of the portable furniture which he polished with his handkerchief and set apart, surveying them from a distance with a look of hope. He took up the breech-loading cannon and then suddenly put it down again with a little shiver, and went to the threshold of the perverted oratory and glanced in at his forge. Veneranda had carelessly left the window open, and the draught had carried the ashes about the floor. On the cinder-heap lay the tools which he had used in mending the broken pipe of the fountain at Casa Vervain, and had not used since. The place seemed chilly even on that summer’s day. He stood in the doorway with clenched hands. Then he called Veneranda, chid her for leaving the window open, and bade her close it, and so quitted the house and left her muttering. Ferris seemed surprised to see him when he appeared at the consulate near the middle of the afternoon, and seated himself in the place where he was wont to pose for the painter. “Were you going to give me a sitting?” asked the latter, hesitating. “The light is horrible, just now, with this glare from the canal. Not that I manage much better when it’s good. I don’t get on with you, Don Ippolito. There are too many of you. I shouldn’t have known you in the procession yesterday.” Don Ippolito did not respond. He rose and went toward his portrait on the easel, and examined it long, with a curious minuteness. Then he returned to his chair, and continued to look at it. “I suppose that it resembles me a great deal,” he said, “and yet I do not _feel_ like that. I hardly know what is the fault. It is as I should be if I were like other priests, perhaps?”