A Forgotten Empire (Vijayanagar): A Contribution to the History of IndiaSewell, Robert
History
A Forgotten Empire (Vijayanagar): A Contribution to the History of India
Sewell, Robert
Vijayanagar (Empire) -- History
[458] -- All these buildings are utterly destroyed, but there is no
doubt that careful and systematic excavations would disclose the whole
plan of the palace, and that in the ruins and debris would be found the
remains of the beautiful sculptures described. Close behind the great
decorated pavilion, from which the king and his court witnessed the
feasts described by Paes, and therefore close to the gate just alluded
to, are to be seen, half-buried in earth and debris, two large stone
doors, each made of a single slab. The stone has been cut in panels
to imitate woodwork, and teas large staples carved from the same block.
[459] -- FEYTO DE HUAS MEYAS CANAS. I am doubtful as to the meaning
of this. Examination of the mass of ruins now remaining would settle
all these points. Stone sculptures were broken up and left. They were
not removed. (See also p. 288 below.)
[460] -- Mr. Ferguson has ingeniously emendated Senhor Lopes's reading
from YINAGEES POR QUE NAS QUE ESTAO METIDAS TO YMAGEES PEQUENAS QUE,
&c ... The MS., however, which is itself a copy, has POR QUE NAS.
[461] -- SAO DE MEAS CANES (see above, p. 285). Meaning not understood,
unless it be as rendered.
[462] -- This description deserves special notice. The writer is
evidently describing a MANDAPA richly sculptured, of which so many
examples are still to be seen in temples, and he states that the whole
of the stone carving was richly coloured and gilded. This probably
was always the case. Traces of colour still remain on many of these
buildings at Vijayanagar.
[463] -- PRANHUS (see above, p. 241). Probably the sculptures were like
many still to be seen in the temples of that date in Southern India,
where the base of the pillar is elaborately carved with grotesque
figures of elephants, horses, and monsters.
[464] -- The gate still exists opposite the Anegundi ferry.
[465] -- Krishnapura, where are the ruins of a fine temple.
[466] -- It seems clear that this sentence must be interpolated,
and perhaps also the whole of the last four paragraphs. For the
penultimate sentence could not have formed part of the original
chronicle of Paes, written perhaps in 1522, or thereabouts, as it
refers to an event that took place in 1535 -- 36.
[467] -- Elsewhere called "Ondegema." Its other name was Nagalapur. It
is the modern Hospett. (See below, Nuniz, p. 387.)
[468] -- This "general destruction" evidently refers to the conquest
of Anegundi by Muhammad Taghlaq.
[469] -- (See above, p. 8.) The date should be about 1330. Nuniz was
here about a century wrong.
[470] -- Delhi.
[471] -- A common error with the foreigners. Properly speaking it
was Cambaya which belonged to Gujarat.
[472] -- Muhammad Taghlaq of Delhi.
[473] -- Persia (above, p. 10).
Public-domain text, read in full here on John Shaqi.
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