Her conductor did not say much of his own accord, but in replying to her
questions he was politely sympathetic. She thought of little outside the
fearful picture which filled every corner of her brain, but from her
conductor's manner received the impression that he was a medical adviser
who had seen the sufferer, and assisted in the treatment of the case.
She did not ask his name, nor did he reveal it.
At Paddington he placed her in a ladies' carriage and left her.
He was a smoker, he said. She wondered somewhat at this desertion. Then
the train sped down West. At the large stations the gentleman came to
her and offered her refreshments. Hunger seemed to have left her; but
she accepted a cup of tea once or twice. At last sorrow, fatigue, and
weakness produced by such a prolonged fast had their natural effect.
With the tears still on her lashes the girl fell asleep, and must have
slept for many miles: a sleep unbroken by stoppages at stations.
Her conductor at last aroused her. He stood at the door of the carriage.
"We must get out here," he said. All the momentarily-forgotten anguish
came back to her as she stood beside him on the almost unoccupied
platform.
"Are we there at last?" she asked.
"I am sorry to say we have still a long drive; would you like to rest
first?"
"No--no. Come on, if you please." She spoke with feverish eagerness.
The man bowed. "A carriage waits," he said.
Outside the station was a carriage of some sort, drawn by one horse, and
driven by a man muffled up to the eyes. It was still night, but Madeline
fancied dawn could not be far off. Her conductor opened the door of the
carriage and waited for her to enter.
She paused. "Ask him--that man must know if--"
"I am most remiss," said the gentleman. He exchanged a few words with
the driver, and coming back, told Madeline that Mr. Carr was still
alive, sensible, and expecting her eagerly.
"Oh, please, please drive fast," said the poor girl, springing into the
carriage. The gentleman seated himself beside her, and for a long time
they drove on in silence. At last they stopped. The dawn was just
glimmering. They alighted in front of a house. The door was open.
Madeline entered swiftly. "Which way--which way?" she asked. She was
too agitated to notice any surroundings; her one wish was to reach her
lover.
"Allow me," said the conductor, passing her. "This way; please follow
me." He went up a short flight of stairs, then paused, and opened a
door quietly. He stood aside for the girl to enter. The room was dimly
lit, and contained a bed with drawn curtains. Madeline flew past her
travelling companion, and as she threw herself on her knees beside the
bed upon which she expected to see the helpless and shattered form of
the man she loved, heard, or fancied she heard, the door locked behind
her.
VII.
Public-domain text, read in full here on John Shaqi.
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