"That is the man I saw just now with Madeline," he said. "When I find
him I shall find her." He spoke with all sincerity and conviction. I
looked at the paper with, I am bound to say, a great amount of
curiosity.
No matter from what visionary source Carriston had drawn his
inspiration, his sketch was vigorous and natural enough. I have already
mentioned his wonderful power of drawing portraits from memory, so was
willing to grant that he might have reproduced the outline of some face
which had somewhere struck him. Yet why should it have been this one?
His drawing represented the three quarter face of a man--an ordinary
man--apparently between forty and fifty years of age. It was a
coarse-featured, ill-favored face, with a ragged ruff of hair round
the chin. It was not the face of a gentleman, nor even the face of a
gentle-nurtured man; and the artist, by a few cunning strokes, had made
it wear a crafty and sullen look. The sketch, as I write this, lies
before me, so that I am not speaking from memory.
Now, there are some portraits of which, without having seen the
original, we say, "What splendid likenesses these must be." It was so
with Carriston's sketch. Looking at it you felt sure it was exactly like
the man whom it was intended to represent. So that, with the certain
amount of art knowledge which I am at least supposed to possess, it
was hard for me, after examining the drawing and recognizing the true
artist's touch in every line, to bring myself to accept the fact that it
was but the outcome of a diseased imagination. As, at this very moment,
I glance at that drawing, I scarcely blame myself for the question
that faintly frames itself in my innermost heart. "Could it be
possible--could there be in certain organizations powers not yet
known--not yet properly investigated?"
My thought, supposing such a thought was ever there--was not discouraged
by Carriston, who, speaking as if his faith in the bodily existence of
the man whose portrait lay in my hand was unassailable, said,
"I noticed that his general appearance was that of a countryman--an
English peasant; so in the country I shall find my love. Moreover, it
will be easy to identify the man, as the top joint is missing from the
middle finger of his right hand. As it lay on Madeline's arm I noticed
that."
I argued with him no more. I felt that words would be but wasted.
IX.
Public-domain text, read in full here on John Shaqi.
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