Authors who have added the vice of elocution to the weakness of dialect
verse-making, are often at a loss for a sympathetic audience. Whilst
it is true that literary people are apt to bear with a good deal of
patience the mutually offered inflictions incident to meeting one
another, they draw the line at dialect recitations; and, as a rule,
stubbornly refuse to be bored with a fantastic rendition of "When
Johnny got spanked by a mule," or "Livery-stable Bob," or "Samantha's
Courtin'," or "Over the Ridge to the Pest-house," no matter how dear a
friend may offer the scourge. Circumstances alter cases, however, and
although neither Carleton, nor Riley, nor yet Burdette, nor Bill Nye
(those really irresistible and wholly delightful humorists), had come to
Hotel Helicon, there was a certain relief for those of the guests who
had not joined the luckless pedestrians, in hearing Miss Amelia Lotus
Nebeker recite a long poem written in New Jersey patois.
Miss Nebeker was very hard of hearing, almost stone deaf, indeed, which
affliction lent a pathetic effect even to her humor. She was rather
stout, decidedly short, and had a way of making wry faces with a view to
adding comicality to certain turns of her New Jersey phraseology, and
yet she was somewhat of a bore at times. Possibly she wished to read too
often and sometimes upon very unsuitable occasions. It was Mrs. Bridges
who once said that, if the minister at a funeral should ask some one to
say a few appropriate words, Miss Nebeker, if present, would immediately
clear her throat and begin reciting "A Jerseyman's Jewsharp." "And if
she once got started you'd never be able to stop her, for she's as deaf
as an adder."
It was during the rainstorm, while those of the guests who had not gone
to the hermit's hut with Cattleton, were in the cool and spacious parlor
of the hotel, that something was said about Charles Dickens reading from
his own works. Strangely enough, although the remark was uttered in
a low key and at some distance from Miss Nebeker, she responded at
once with an offer to give them a new rendering of _The Jerseyman's
Jewsharp_. Lucas, the historian, objected vigorously, but she insisted
upon interpreting his words and gestures as emphatic applause of her
proposition. She arose while he was saying:
"Oh now, that's too much, we're tired of the jangling of that old harp;
give us a rest!"
Public-domain text, read in full here on John Shaqi.
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