Since her father's death Gerald Leigh had written to her several
times--letters full of passionate love and penned as if the writer felt
sure of her constancy and wish to keep her promise. He, too, was coming
to London. Had she wished it, he would at once have come to her side;
but as it was he would take up his quarters in town about the same time
Eugenia arrived there.
The hour was at hand--the hour to which Miss Herbert had for two years
looked forward with strangely mingled feelings--when her friends must be
told that she intended to marry the young, and as yet unknown sculptor,
Gerald Leigh, the son of her father's late tenant farmer, Abraham.
She loved him still. She felt sure of that much. If time and absence had
somewhat weakened the spell he had thrown over her proud nature, she
knew that unless the man was greatly changed the magic of his words
and looks would sway her as irresistibly as before. She loved him, yet
rebelled against her fate.
Her father had died ignorant of what had passed between his daughter
and the young artist. Many a time Eugenia had tried to bring herself to
confess the truth to him. She now regretted she had not done so. Mr.
Herbert's approval or disapproval would have been at least a staff by
which to guide her steps. He had suspected nothing. The few letters
which passed between the lovers had been unnoticed. Their love was as
yet a secret known only to themselves.
She loved him, but why had he dared to make her love him? Or, why was
he not well-born and wealthy? Could she find strength to face, for his
sake, the scorn of her friends?
She must decide at once. She is sitting and thinking all these things in
her own room at Mrs. Cathcart's, and in front of her lies a letter in
which Gerald announces his intention of calling upon her to-morrow. She
knows that if she receives him she will be bound to proclaim herself his
affianced wife.
He called. She saw him. Mrs. Cathcart was out, So Eugenia was alone
when the servant announced Mr. Leigh. She started and turned pale. She
trembled in every limb as he crossed the room to where she stood. He
took her hand and looked into her face. He spoke, and his rich musical
voice thrilled her.
"Eugenia, is it life or death?"
She could not answer. She could not turn her eyes from his. She saw the
intensity of their expression deepen; saw a fierce yearning look come
into them, a look which startled her.
"Is it life or death?" he repeated.
His love conquered. "Gerald, it is life," she said.
Drunk with joy, he threw his arms around her and kissed her until the
blushes dyed her cheeks. He stayed with her as long as she would allow,
but his delight was too delicious to permit him to say much about his
plans for the future. When at last she made him leave her, he gave her
the number of a studio at Chelsea, which he had taken, and she promised
to write and let him know when he might call again.
Public-domain text, read in full here on John Shaqi.
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