Schoolgirls -- Juvenile fiction; Schools -- England -- Juvenile fiction
Bevis, who knew all the legends of the village, poured out these tales
for the girls' benefit, and of course they naturally wanted to take a
look at the place. So they climbed the eighty-seven rough stone steps
that led up from the shore, and scrambled over the wall into the little
churchyard. It was a neglected spot, but all the more picturesque on
that account. Long grass grew over the graves, and moss had almost
obliterated the names on the fallen stones, the framework of the doorway
had sunk at one end, and the tower had lost some of its coping in the
last gale. The great pieces lay strewn about the path. The windows
looked cobwebby, but one of them was open, and, with some difficulty,
Bevis hoisted the girls up to peep inside. The poor little church, flung
aside now like a cast-off ecclesiastical garment, nevertheless showed
signs of its former glories, when worshippers had given of their best to
deck it forth. Its pre-reformation rood-screen, one of the very few to
escape the commissioners' hatchets or Puritan whitewash, was carved with
quaint figures of saints, and still showed traces of colouring in red
and blue and gold. The oak benches, grey for want of oil or polish, were
also carved, and in the chancel there was a splendid pew with a wooden
canopy embossed and painted like the rood-screen, though plainly of a
later date. The whole was mouldy and ill-kept, but at least had been
saved from the ruthless hand of that foe to all antiquarian lore, the
nineteenth-century restorer, who would probably have stripped it of
rood-screen and carved benches, and have replaced them with pitch pine.
"I'd like to sit in that gorgeous pew," said Mavis, dropping down from
her perch, and examining her grazed hands tenderly.
"That belongs to the Tallands. It goes with The Warren. There's an old
monument down the nave to some of the family. You couldn't see it
properly from that window," explained Bevis.
"Don't they ever clean the place up?" asked Merle.
"They do once a year, before the festival."
"When is the festival?"
"Late in May. They always have kept it at Chagmouth, and they make much
more of it now because they have the war-memorial service at the same
time, and everybody goes to that. The cross is up there, just at the top
of the churchyard."
The people from the several places which the tiny church had originally
served had joined together in erecting a memorial to their brave boys
who had fallen in the Great War--a plain Celtic cross of granite, placed
on a platform of rock above the church, where it could be very plainly
seen by all the vessels that passed by in or out of the harbour. It was
a magnificent situation for it, far more romantic than any in the town,
and to judge from the wreaths and bunches of flowers laid at its foot,
it was the goal of an easy walk along the cliffs on Sundays. Mavis, who
stopped to read the roll of honour, took the violets from her
button-hole and laid them with the rest of the floral tributes.
Public-domain text, read in full here on John Shaqi.
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