Schoolgirls -- Juvenile fiction; Schools -- England -- Juvenile fiction
The contingent from The Moorings were sitting close to the main
entrance, and as their united glances strayed round the tent they
presently began to nudge each other and focus their gaze in one
particular direction. Miss Pollard, aware of the undercurrent, looked
also. What she saw caused her to take out her lorgnettes and stare
amazedly through them to satisfy herself that failing eyesight had not
produced an illusion. On the other side of the tent, exactly opposite to
their party, sitting on a red-baize-covered reserved seat, was
Opal--Opal who was supposed to be lying on her bed prostrate with
headache, and whom she had pitied for missing the treat. Miss Fanny had
also just made the same discovery. The sisters glanced at one another,
and drew their own conclusions. If Opal had turned rather white at the
entrance of the school party, she had apparently recovered from the
shock, and was bluffing the matter out. She was sitting with some
friends, girls much older than herself, and was laughing and chatting as
if in thorough enjoyment.
And now at last, after much tiresome delay and waiting, the show began.
Through the far door was seen a vision of men in gay costumes, and the
strains of a band were heard.
"O-o-o-oh!" came from the children all round, as the procession streamed
into the tent. It was headed by the band, then followed piebald horses
with riders in gorgeous velvet costumes or spangled dresses; there were
Roman chariots, and a drove of tiny ponies, and an Eastern lady on a
camel, and several funny men who bounced about like india-rubber balls,
and three stately elephants, and some wild-looking Red Indians in
war-paint and feathers. These all paraded round the ring to allow the
audience to have a good view of them, then went off again, so that the
programme might proceed in its separate items.
It really was a capital show. There was no mistake about that. First
entered the gymnasts, wonderful people who jumped easily on to one
another's shoulders, and swung head downwards from trapezes, and made
themselves into a human pyramid, and performed other amazing and
marvellous feats. Then came the horses, which ambled round the circle in
pairs, with riders who stood astride two of them, one foot on each,
marvels of equilibrium, and ladies in gauzy dresses who jumped lightly
from horse to horse as if on wings. When these had cantered off the
scenes appeared "Queenie", a beautiful Arabian trick horse with her
playfellow "Pixie", a tiny piebald pony. The manager, a gorgeous
individual in evening dress, stood in the centre cracking a whip, while
Queenie and Pixie ran in contrary circles, reared, knelt, and lay down
to music, and finally did a dying scene together, with Pixie's head
resting sentimentally on Queenie's back.
"I want that 'ickle pony," called out a small voice from the audience,
at which remark even the manager smiled.
Public-domain text, read in full here on John Shaqi.
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