A Frenchman in America: Recollections of Men and ThingsO'Rell, Max
General
A Frenchman in America: Recollections of Men and Things
O'Rell, Max
United States -- Description and travel; United States -- Social life and customs -- 1865-1918
The lecturer is a man of about forty, whose cranium is getting visible
through his hair. He wears a double eye-glass, with which he plays
while talking to his audience. His handkerchief was black-bordered. He
wore the regulation patent leather shoes, and his shirt front was
fastened with a single stud. He spoke without effort or pretension,
and often with his hands in his pockets, etc.
A few days ago, on reading the morning papers in a town where I had
lectured the night before, I found, in one of them, about twenty lines
consecrated to my lecture, and half a column to my hat.
I must tell you that this hat was brown, and all the hats in America are
black. If you wear anything that is not exactly like what Americans
wear, you are gazed at as if you were a curious animal. The Americans
are as great _badauds_ as the Parisians. In London, you may go down
Regent Street or Piccadilly got up as a Swiss admiral, a Polish general,
or even a Highlander, and nobody will take the trouble to look at you.
But, in America, you have only to put on a brown hat or a pair of light
trowsers, and you will become the object of a curiosity which will not
fail very promptly to bore you, if you are fond of tranquility, and like
to go about unremarked.
I was so fond of that poor brown hat, too! It was an incomparably
obliging hat. It took any shape, and adapted itself to any
circumstances. It even went into my pocket on occasions. I had bought it
at Lincoln & Bennett's, if you please. But I had to give it up. To my
great regret, I saw that it was imperative: its popularity bid fair to
make me jealous. Twenty lines about me, and half a column about that
hat! It was time to come to some determination. It was not to be put up
with any longer. So I took it up tenderly, smoothed it with care, and
laid it in a neat box which was then posted to the chief editor of the
paper with the following note:
DEAR SIR:
I see by your estimable paper that my hat has attracted a good deal of
public attention during its short sojourn in your city. I am even
tempted to think that it has attracted more of it than my lecture. I
send you the interesting headgear, and beg you will accept it as a
souvenir of my visit, and with my respectful compliments.
A citizen of the Great Republic knows how to take a joke. The worthy
editor inserted my letter in the next number of his paper, and informed
his readers that my hat fitted him to a nicety, and that he was going to
have it dyed and wear it. He further said, "Max O'Rell evidently thinks
the song, 'Where did you get that hat?' was specially written to annoy
him," and went on to the effect that "Max O'Rell is not the only man who
does not care to tell where he got his hat."
Do not run away with the idea that such nonsense as this has no interest
for the American public. It has.
Public-domain text, read in full here on John Shaqi.
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