A Friend of Cæsar: A Tale of the Fall of the Roman Republic. Time, 50-47 B.C.Davis, William Stearns
History
A Friend of Cæsar: A Tale of the Fall of the Roman Republic. Time, 50-47 B.C.
Davis, William Stearns
Rome -- History -- Civil War, 49-45 B.C. -- Fiction
"_St!_" were his words, "I have hired a gig which will carry us both.
Pratinas is loose and has been raising heaven and earth to get at us.
There is a crier going the rounds of the Forum offering a thousand
sesterces for the return of Artemisia. Pratinas has gone before the
_triumviri capitales_[130] and obtained from them an order on the
_apparitores_[131] to track down the runaway and her abettor."
[130] One of their functions made these officers practically chiefs
of police.
[131] A part of these public officers performed police duty.
"_Eho!_" cried Pisander, "then you'd better leave your treasure here
awhile, for us to take care of."
"Not at all," replied Agias; "I could have taken her out of the city
at once, but in the daytime we should have been certainly noticed and
subsequently tracked. No one will imagine Artemisia is here--at least
for a while. But this is a large familia; all may be my friends, but
all may not have prudent tongues in their heads. The reward is large,
and perhaps some will be tempted;" he glanced at Iasus, who, to do him
justice, had never thought of a second deed of baseness. "I cannot
risk that. No, Artemisia goes out of the city to-night, and she must
get ready without the least delay."
Artemisia, who was charmed with her present surroundings and
adulation, demurred at leaving her entertainers; but Agias was
imperative, and the others realized well enough that there was not
much time to be lost. Agias, however, waited until it had become
tolerably dark before starting. Meantime, he proceeded to make certain
changes of his own and Artemisia's costume that indicated the rather
serious character of the risk he was preparing to run. For himself he
put on a very full and flowing crimson evening dress, as if he were
proceeding to a dinner-party; he piled a dozen odd rings upon his
fingers, and laughingly asked Semiramis to arrange his hair for him in
the most fashionable style, and anoint it heavily with Valeria's most
pungent perfumes. At the same time, Arsinoe was quite transforming
Artemisia. Valeria's cosmetic vials were for once put into play for a
purpose, and when Artemisia reappeared from the dressing-room after
her treatment, Agias saw before him no longer a fair-skinned little
Greek, but a small, slender, but certainly very handsome Egyptian
serving-lad, with bronzed skin, conspicuous carmine lips, and features
that Arsinoe's paint and pencils had coarsened and exaggerated.
Fortunately, the classic costume both for men and women was so
essentially alike, that Artemisia did not have to undergo that
mortification from a change of clothes which might have befallen one
at the present day in a like predicament. Her not very long black hair
was loose, and shaken over her shoulders. Agias had brought for her a
short, variegated _lacerna_[132] which answered well enough as the
habit of a boy-valet who was on good terms with his master.
[132] A sort of mantle held on the shoulders by a clasp.
Public-domain text, read in full here on John Shaqi.
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