A Friend of Cæsar: A Tale of the Fall of the Roman Republic. Time, 50-47 B.C.Davis, William Stearns
History
A Friend of Cæsar: A Tale of the Fall of the Roman Republic. Time, 50-47 B.C.
Davis, William Stearns
Rome -- History -- Civil War, 49-45 B.C. -- Fiction
Sesostris again fawned his gratitude, and Agias, with quickened wits
and eyes alert, toiled up the dark stairway, and found himself at the
top of the building. He had "entered the enemy's country." The Ethiop
might not have been open to bribes, but he might be unlocked through
friendship, and Agias never needed all his senses more than now. They
had reached the topmost flight of stairs, and Sesostris had stopped as
if embarrassed whether to invite his deliverer in to enjoy some
hospitality, or say him farewell. Then of a sudden from behind the
closed door came a clear, sweet, girlish voice, singing, in Greek:--
"O Aitne, mother mine: A grotto fair
Scooped in the rocks have I, and there I keep
All that in dreams man pictures! Treasured there
Are multitudes of she-goats and of sheep,
Swathed in whose wool from top to toe I sleep."
It was an idyl of Theocritus, very well known by Agias, and without
the least hesitation he took up the strain, and continued:--
"The fire boils my pot; with oak or beech
Is piled,--dry beech logs when the snow lies deep.
And storm and sunshine, I disdain them each
As toothless sires a nut, when broth is in their reach."[98]
[98] Calverly's translation.
Agias paused. There was a silence, then a giggle behind the door, and
it half opened, and out peered the plump and rosy face of the young
girl we have heard Pratinas salute as his niece, Artemisia. The moment
she caught sight of the rather manly form of Agias, the door started
to close with a slam, but the latter thrust out his foot, blocked the
door, and forced an entrance.
"_Eleleu!_" cried Agias, pushing into a small but neatly furnished
room. "What have we here? Do the muses sing in Subura? Has Sappho
brought hither her college of poetesses from Lesbos?"
"_Ai!_" exclaimed Artemisia, drawing back, "who are you? You're
dreadfully rude. I never saw you before."
"Nor I you;" replied Agias, in capital good humour, "but that is no
reason why I should take my eyes away from your pretty little face.
No, you needn't point your middle finger at me so, to ward off the
evil eye. I'm neither Chaldean astrologer, nor Etruscan soothsayer.
Come, tell me who you are, and whom you belong to?"
Artemisia did not have the least idea what to say. Agias, partly
through youthful love of adventure, partly because he felt that he was
playing now for very high stakes and must risk a good deal, had thrown
himself on the divan, and was holding Artemisia captive under his
keen, genial eyes. She grew redder in face than before, began to
speak, then broke off with more confused blushes.
"She means to say," finally ventured Sesostris, "that she is
Artemisia, the niece of Pratinas."
Public-domain text, read in full here on John Shaqi.
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