A Galahad of the Creeks; The Widow LamportLevett Yeats, S. (Sidney)
General
A Galahad of the Creeks; The Widow Lamport
Levett Yeats, S. (Sidney)
Burma -- Fiction; India -- Fiction
Lizzie, and many others beside her, occupied a place midway between
these two classes. They had not as yet chosen their seats finally. As
the solemn notes of the organ joined the silver voices of the choir
Lizzie felt the full magnetic power of the music, and prayed with her
heart of hearts. When from behind the high altar the low murmur
of the prayers trickled down the aisles and buzzed in her ears,
Lizzie's bright eyes wandered round the church up to the gallery,
where the choir of dark-robed nuns sat; away into the dim colonnades,
over the ghostly sea of heads; to the right, where close-cropped,
straight-backed, and stalwart of limb, were ranged a contingent of the
Royal Irish, then in garrison at Bombay; in front, where sat Madame
Eglantine, the celebrated _modiste_, with a creation of forget-me-nots
on her head. At all these Lizzie stared, and was comforted.
How pleasant this was after the deadly monotony of the tabernacle!
Here all the rough edges were smoothed off, the corners rounded
neatly; there all was granite of the hardest.
The banners swayed their silken folds. From her niche in the wall the
Blessed Virgin, done in wax, gazed down upon her with lustreless eyes.
The tinsel looked like gold. The incense breathed its subtle and
intoxicating perfume into her brain.
And now the priests walked in solemn procession up the aisle, the
organ pealed forth, and the joyous voices of the choir joined in the
hymn of adoration.
At a bound Lizzie's heart went back from earth to heaven. She thrilled
with a holy fervour as the music filled the church. Her eyes were full
of tears.
Suddenly the voices of the choir died away. The priests had bowed
before the altar, and were praying in secret. The organ wailed
tremulously. Lizzie stood leaning on the seat in front of her, almost
breathless with excitement.
All at once from the gallery a single voice took up the anthem--full,
clear, and sweet. It seemed as if it were the answer of heaven to the
prayers of the Faithful.
"_Christe cum sit hinc exire_
_Du per matron me venire_
_Ad palmam victoriæ_."
Lizzie turned her eyes toward the spot whence the voice came. The
light shone full on the dark-robed figure, on the upturned face, thin
and pale, and on the sad gray eyes of the singer.
"_Ad palmam victoriæ_."
As the words reached her, Lizzie felt the light of a sudden
recognition. She turned to her husband and pulled him by the
coat-sleeve.
"Jim," she said, "look up! See who is singing!"
THE END.
Public-domain text, read in full here on John Shaqi.
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