A gallop among American scenery: or, Sketches of American scenes and military adventureSilliman, Augustus E. (Augustus Ely)
History
A gallop among American scenery: or, Sketches of American scenes and military adventure
Silliman, Augustus E. (Augustus Ely)
Atlantic States -- Description and travel
I turned.—The great fierce city extending as far as eye could reach—the
sky fretted with her turrets and her spires—her thousand smokes rising
and mingling with the o’erhanging-clouds;—as she rose above her bed of
waters, with hoarse continuous roar, cried to me—“_Look not here, not
here—for death!_” Her sister city, with her towers and cupolas—her grassy
esplanades surmounted with verdant trees and far extending colonnades
embowered in shrubbery,—from her high terraced walls, re-echoed the
hollow roar—“_Not here for death!_”
The island lay extended far before me—its farms and towns—its modest
spires—its granaries—its verdant meadows—its rich cultivated fields—its
woods—its lawns—all wrapped in silence, but still its whisper softly
reached me—“_Not here—not here—is death!_”—E’en the great distant
ocean, closed only from my view by the far-reaching horizon, in sullen
continuous murmurs moaned—“_Not here is death!_”
Where, then, I cried—_where, then, is death?_ I looked above me, and the
blue vault hung pure and motionless—light fleecy clouds like angels on
their journeys, alone resting on its cerulean tint,—around, the evening
breeze played calm and gently,—and beneath the flowers and leaves were
quivering with delight, while the incessant hum of insect life, arising
from the earth with ceaseless voice, still cried—“_No—no—not here is
death!_”
Ah! said I, this beautiful world shall be forever, and there is—there
is no death—but even as I spoke, a warning voice struck with deep
solemnity upon my startled ear,—“Man that is born of woman, hath but a
short time to live, and is full of misery. He cometh up, and is cut down
like a flower; he fleeth as it were a shadow, and never continueth in
one stay.”—And as I turned, the funeral procession—its minister and its
mourners passed onward in their journey with the silent dead.
I looked after the retiring group, and again from beyond the coppice
which intervened, heard rising in the same deep solemn tones,—“Write,
from henceforth, blessed are the dead who die in the Lord; even so saith
the spirit, for they rest from their labours,”—and my soul cowered within
itself like a guilty thing, as it said—Amen.
I looked again upon the scene before me and sighed,—e’en such is human
reason. That gorgeous sun shall set—the gay villas and verdant lawns,—the
crowded shipping,—the beautiful bay with all that rest upon its bosom,
shall soon be wrapt in darkness,—the gleaming watch-light disappear from
yon tall battlement, as the bugle sounds its warning note,—the great
fierce city be stilled in silence, while the beating hearts within her
midnight shroud, like seconds, answer her tolling bells upon the dial of
eternity,—and the insect myriads—the flowers and leaves—ay!—the great
heavens themselves, shall from the darkness cry—“_This is the portraiture
of death!_”—for the darkness and the silence are all that man can realize
of death.
Public-domain text, read in full here on John Shaqi.
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