A gallop among American scenery: or, Sketches of American scenes and military adventureSilliman, Augustus E. (Augustus Ely)
History
A gallop among American scenery: or, Sketches of American scenes and military adventure
Silliman, Augustus E. (Augustus Ely)
Atlantic States -- Description and travel
Long peace and silence—Old Father, now obtain—the sentry sleeps upon his
post—women and children play upon the ramparts—but, hark! what is it
far in the distance that I hear! the sound of battle! the fusilade of
musketry—the roar of cannon! I see Bunker’s Hill from light barricade
sweep down her thousands—I see hurrying forward the hardy husbandman with
hastily caught musket—the robed divine—the youth—the old man—cheered on
by mothers—sisters—tender wives,—to strike
“For their altars and their fires,
God, and their native homes.”
I see new Nation’s symbol—Stars and Stripes—and watch, now in the
midnight darkness through the fortress moat—how advance that fearless
band of men—Lo! in silence they penetrate the fortress’ centre. Hark!
what voice rouses the astonished officer, as starting from his slumbers,
he meets, close at his throat, the bayonet’s threatening point.
“Surrender!” “To whom?” “The Great Jehovah, and the Continental Congress!”
Now floats the spangled banner proudly o’er the citadel—patriotic men
assemble—armies make temporary resting place—invalid soldiers breathe the
health-restoring air, and age wears on. Ha!—was that a meteor flashing
from Defiance Mountain summit? And there, another?—Plunge! plunge! Cannon
shot! screaming, yelling, bounding i’ th’ very centre of the fortress.
“’Tis the Englishman with his artillery.”
Quick, quick!—St. Clair, withdraw the army—the position is no longer
tenable. Strike not that flag!—palsied be the hand that so degrades
the flag of Freedom—let it shake defiance to the last! Quick, the
magazine—the train—Ha, hah! Ætna, Vesuvius like, the explosion.
Hallo! Old Time!—Ho! thou of the scythe!—What! hast gone? Am I!—ay, I am
alone! Nought but the blackened ruins, and the crumbling ramparts, in
silence surrounding me.
MONTREAL.
Now, in steam palace, we shoot in swift career o’er thy tranquil surface,
Lake Champlain—thy rolling mountains, in wavy outline, accompanying us in
our rapid progress. Vast primeval forests sleep in stillness along thy
borders—their sylvan patriarchs, reigning for centuries, untouched by
woodman’s axe, stretch proudly their far-reaching branches, ’till ancient
Time, pointing with extended finger the wild spirit of the winds breathes
on them as he passes, and they succumb with sullen uproar, long with mock
semblance retaining form and length, as if deriding the puny offspring
shooting up around them; bestowing sore fall, I ween, and tumble on
adventurous hunter, as stumbling through the undergrowth he plunges
prostrate o’er them.
Public-domain text, read in full here on John Shaqi.
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