A gallop among American scenery: or, Sketches of American scenes and military adventureSilliman, Augustus E. (Augustus Ely)
History
A gallop among American scenery: or, Sketches of American scenes and military adventure
Silliman, Augustus E. (Augustus Ely)
Atlantic States -- Description and travel
such scenes, not gloomy walls, invite thee—nay ’tis not the voice of
the Tempter—’tis not, as they will tell thee, the poisonous breath of
the many-coloured serpent stealing o’er thy senses. Let bearded men,
wrecked on their own fierce lawless passions, seek these dark cells,
these painful vigils, these unmeaning mortifications. They are not for
thee. The world awaits thy coming. The pawing steed, throwing the white
froth flakes o’er his broad chest, impatiently awaits thee. Fly, dear
lady, fly—the joyous, carrolling birds, the dew-spangled meadows, cry,
Come. The green, green trees—the bubbling water-falls—the soft summer
breezes—the rosy tinted East—the gorgeous drapery of the West—cry to
thee, Come. The voice of thy lover, frantic at thy self-sacrifice—the
voice of him who in the fragrant orange bower encircled thy slender
waist, whilst, with heightened colour and down-cast eyes, thou listen’d
to his rapid vows—the voice of him, who with thy glossy raven tresses
floating on his shoulder, and thy warm, sweet breath, mingling with his,
lavished soul, existence, all, on thee,—in agony cries, Dearest, dearest,
come. Nay, nay, ’tis but for _thy_ happiness,—I leave thee—exclaim not—I
am gone.
CATARACTS OF NIAGARA.
Now—on, on—over the Chute, and down the Rapid—leaping the Saults—through
the rivers, over the islands—we glide—we glide—we rush—we fly. Ho! Ariel,
beautiful spirit, riding on thy rainbow—shoot not thy silver arrows at
us as we pass. Tricksy spirit—fare thee well—now far in the distance,
fare—thee—well! Ha! ha!—Old frolic Puck—sweating, panting, holding thy
lubbard sides—we race—we race—we pass thee too—in vain thou strugglest
to o’ertake us. Farewell—farewell. Go pinch the housemaids—tickle with
straws the snoring herdsmen—tumble about the dusty mows—sprinkle sweet
hay before the ruminating cattle—clutch by the tail the cunning fox,
as stealthily he crawls within the hen-roost—and anon rub thy hands in
glee o’er the embers on the capacious kitchen hearth, and on all-fours
cut antics with the glowering cat, as with bowed back and shining eyes
she watches thee i’ th’ corner—peer into the kettles and into the
jars—see whether the barm rises—whether the yeast doth work; till with
clash—clatter—the metal lid slips from thy fingers on the hearth-stone,
and villain-like, thou shoot’st up the chimney, with “Ho! ho! ho!”
laughing at the sleepy yeoman, as half covered, with oaken cudgel
grasped, shivering, he peers through the door-crack the cause o’ th’
uproar. Farewell, farewell, mirthful goblin—farewell, farewell. Ontario,
we waft across thy surface. Queenstown, thy sanguinary heights, crowned
with brave Briton’s monument, we pass, and now the rising mist-wreaths
warn us of thy approach, Niagara. Huzza! huzza! now for a bath under the
roaring Cataract. In what wild chaos of waters the clam’rous rapids, as
if from the horizon, rush down upon us—jumping, leaping, boiling, in
Public-domain text, read in full here on John Shaqi.
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