A gallop among American scenery: or, Sketches of American scenes and military adventureSilliman, Augustus E. (Augustus Ely)
History
A gallop among American scenery: or, Sketches of American scenes and military adventure
Silliman, Augustus E. (Augustus Ely)
Atlantic States -- Description and travel
Surely God did not intend that we should sweat and pant in cities when
he places such scenes before us. How like the fierce giants of old
the lofty mountains encircle it, as a land of enchantment. See! see!
the clouds, as they scud along in the heavens, how they throw their
broad shadows, chasing each other on the plains below. Imagine them
squadrons, charging in desperate and bloody battle. But no—widows and
orphans’ tears follow not _their_ encounters—rather the smiles of the
honest, hard-handed yeoman, as he foresees his wains groaning with the
anticipated harvests—his swelling stacks—his crowded granaries. Here, for
the present, let us recline on the broad and moss-covered rocks, while
with the untutored Indian, its rightful owner, in silent admiration, we
worship the Great Spirit, whose finger moves not, save in beauty, in
harmony and majesty.
WHITE MOUNTAINS.
“Knock! knock! knock!” W-e-l-l. “Thump! thump! thump!” Who’s there?
What do you want? “Passengers for the White Mountains, Sir, time to get
up,—stage ready.” Is it possible? three o’clock already? W-e-l-l, I’ll
get up. Call the gentleman in the next room. Well, my friend, how are
you, after your trip of yesterday to Mount Holyoke?—a little stiff in
the knees and ancles, eh!—but come, the stage is at the door. Waiter,
hold the light. How forlorn look the heavy muddy vehicle, and half-waked
horses by the dim light of the stage lamps. That’s right, my good fellow;
throw those carpet-bags in the inside. Shut the door. All ready. Driver,
go ahead! “Aye, aye, sir.” Hey!—Tchk! tchk!—Crack! crack! crack! off we
go. The steady clatter of the horses’ hoofs, the jingling of the harness,
the occasional roll, as we pass over the boards of some bridge, and
the intejectional whistle of the driver as he encourages them, are the
only things that break the silence for the next hour. The morning light
begins to dawn. Whom have we here? Only two fellow travellers. An honest,
clean-looking countryman, snugly fixed in one corner, with his night-cap
pulled over his eyes, and his mouth wide open, as if admiring the melody
that his nose in bugle strain is enacting just above it; and opposite to
him a gross fat man, of rubicund visage, his eyes ensconced in goggles.
See! he nods—and nods—and nods, and now his head bobs forward into his
neighbour’s lap. How foolishly he looks, as he awakes to consciousness.
It is broad day-light. Let us get up with the driver on the outside, and
enjoy our cigars and the scenery together.
Public-domain text, read in full here on John Shaqi.
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