A Garden of Peace: A Medley in QuietudeMoore, Frank Frankfort
General
A Garden of Peace: A Medley in Quietude
Moore, Frank Frankfort
Gardens -- Fiction
Regarding pergolas in general a good deal might be written. Their
popularity in England just now is well deserved. There is scarcely a
garden of any dimensions that is reckoned complete unless it encloses
one within its walls. A more admirable means of dividing a ground space
so as to make two gardens of different types, could scarcely be devised,
in the absence of a yew or box growth of hedge; nor could one imagine
a more interesting way of passing from the house to the garden than
beneath such a roof of roses. In this case it should play the part
of one of those “vistas” which were regarded as indispensable in the
eighteenth century. It should have a legitimate entrance and it should
not stop abruptly. If the exigencies of space make for such abruptness,
not a moment's delay there should be in the planting of a large climbing
shrub on each side of the exit so as to embower it, so to speak. A
vase or a short pillar should compel the dividing of the path a little
further on, and the grass verge--I am assuming the most awkward of
exits--should he rounded off in every direction, so as to cause the
ornament to become the feature up to which the pergola path is leading.
I may mention incidentally at this moment that such an isolated ornament
as I have suggested gives a legitimate excuse for dividing any
garden walk that has a tendency to weary the eye by its persistent
straightness. Some years ago no one ever thought it necessary to make
an excuse for a curve in a garden walk. The gardener simply got out his
iron and cut out whatever curve he pleased on each side, and the
thing was done. But nowadays one must have a natural reason for every
deflection in a path; and an obstacle is introduced only to be avoided.
I need hardly say that there are pergolas and pergolas. I saw one that
cost between two and three thousand pounds in a garden beyond Beaulieu,
between Mont Boron and Monte Carlo--an ideal site. It was made up of
porphyry columns with Corinthian carved capitals and wrought-iron work
of a beautiful design, largely, but not lavishly, gilt, as a sort of
frieze running from pillar to pillar; a bronze vase stood between each
of the panels, and the handles of these were also gilt. I have known of
quite respectable persons creating quite presentable pergolas for less
money. In that favoured part of the world, however, everything bizarre
and extravagant seems to find a place and to look in keeping with its
surroundings.
Public-domain text, read in full here on John Shaqi.
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