Lest this chapter should appear aggressively digressive in a book that may be fancied to have some-thing to do with gardens, I may say that while Alfred, Lord Tennyson had a great love for observing the peculiarities of flower and plant growths, he must have cared precious little for the garden as the solace of one's declining years. He did not pant for it as the hart pants for the water-brooks. He never came to think of the hours spent out of a garden as wasted. He did not live in his garden, nor did he live for it. That is what amazes us in these days, nearly as much as the stories of the feats of Mr. Gladstone with the axe of the woodcutter. Not many of us would have the heart to stand by while a magnificent oak or sycamore is being cut down. We would shrink from such an incident as we should from an execution. But forty years ago the masses were ready to worship the executioner. They used to be admitted in crowds to Hawarden to watch the heroic old gentleman in his shirt-sleeves and with his braces hanging down, butchering a venerable elm in his park, and when the trunk crashed to the ground they cheered vociferously, and when he wiped the perspiration from his brow, they rushed forward to dip their handkerchiefs in the drops just as men and women tried to damp their handkerchiefs in the drippings of the axe of the headsman, who, in a stroke, slew a monarch and made a martyr, outside the Banqueting House in Whitehall. And when the excursionists were cheering the hero of Hawarden, Thomas Hardy was writing _The Woodlanders_. Between Hardy and Hawarden there was certainly a great gulf fixed. I do not think that any poet ever wrote an elegy so affecting as the chapter on the slaying of the oak outside the house of the old man who died of the shock. But the scent of the woodland clings to the whole hook; I have read it once a year for more than a quarter of a century. Tennyson never showed that he loved his garden as Mr. Hardy showed he loved his woodland. In the many beautiful lines suggesting his affection for his lawns and borders Tennyson makes a reader feel that his joy was purely Platonic--sometimes patronisingly Platonic. It is very far from approaching the passion of a lover for his mistress. One feels that he actually held that the garden was made for the poet not the poet for the garden, which, I need hardly say, we all hold to be a heresy. The union between the true garden-lover and the garden may be a mésalliance, but that is better than _marriage de convenance_.