fineness; some resembling our coarsest rugs or blankets; and others almost equal to our finest sorts, or even softer, and certainly warmer. The wool, of which they are made, seems to be taken from different animals, as the fox and brown _lynx_; the last of which is by far the finest sort, and, in its natural state, differs little from the colour of our coarser wools; but the hair, with which the animal is also covered, being intermixed, its appearance, when wrought, is somewhat different. The ornamental parts or figures in these garments, which are disposed with great taste, are commonly of a different colour, being dyed, chiefly either of a deep brown or of a yellow; the last of which, when it is new, equals the best in our carpets as to brightness. To their taste or design in working figures upon their garments, corresponds their fondness for carving in every thing they make of wood. Nothing is without a kind of freeze-work, or the figure of some animal upon it; but the most general representation is that of the human face, which is often cut out upon birds, and the other monstrous figures mentioned before; and even upon their stone and their bone weapons. The general design of all these things is perfectly sufficient to convey a knowledge of the object they are intended to represent; but the carving is not executed with the nicety that a dexterous artist would bestow even upon an indifferent design. The same, however, cannot be said of many of the human masks and heads; where they shew themselves to be ingenious sculptors. They not only preserve, with great exactness, the general character of their own faces, but finish the more minute parts with a degree of accuracy in proportion, and neatness in execution. The strong propensity of this people to works of this sort, is remarkable, in a vast variety of particulars. Small whole human figures; representations of birds, fish, and land and sea-animals; models of their household utensils and of their canoes, were found amongst them in great abundance. The imitative arts being nearly allied, no wonder that, to their skill in working figures in their garments, and carving them in wood, they should add that of drawing them in colours. We have sometimes seen the whole process of their whale-fishery painted on the caps they wear. This, though rudely executed, serves, at least, to shew, that, though there be no appearance of the knowledge of letters amongst them, they have some notion of a method of commemorating and representing actions in a lasting way, independently of what may be recorded in their songs and traditions. They have also other figures painted on some of their things; but it is doubtful if they ought to be considered as symbols, that have certain established significations, or only the mere creation of fancy and caprice.