On the whole, then, I have made no concessions to your protestation against the theory of wish-fulfillment. We are bound, however, to establish wish-fulfillment in every dream no matter how distorted, and we certainly do not wish to withdraw from this task. Let us go back to the dream, already interpreted, of the three bad theatre tickets for 1 Fl. 50 Kr. from which we have already learned so much. I hope you still remember it. A lady who tells her husband during the day that her friend Elise, only three months younger than herself, has become engaged, dreams she is in the theatre with her husband. Half the parquet is empty. Her husband says, "Elise and her fiancé wanted to go to the theatre, too, but couldn't because they could get only poor seats, three for one gulden and a half." She was of the opinion that that wasn't so unfortunate. We discovered that the dream-thought originated in her discontent at having married too soon, and the fact that she was dissatisfied with her husband. We may be curious as to the manner in which these thoughts have been worked over into a wish-fulfillment, and where their traces may be found in the manifest content. Now we know that the element "too soon, premature" is eliminated from the dream by the censor. The empty parquet is a reference to it. The puzzling "three for 1 Fl. 50 Kr." is now, with the help of symbolism which we have since learned, more understandable.[36] The "3" really means a husband, and the manifest element is easy to translate: to buy a husband for her dowry ("I could have bought one ten times better for my dowry"). The marriage is obviously replaced by going into the theatre. "Buying the tickets too soon" directly takes the place of the premature marriage. This substitution is the work of the wish-fulfillment. Our dreamer was not always so dissatisfied with her early marriage as she was on the day she received news of the engagement of her friend. At the time she was proud of her marriage and felt herself more favored than her friend. Naive girls have frequently confided to their friends after their engagement that soon they, too, will be able to go to all the plays hitherto forbidden, and see everything. The desire to see plays, the curiosity that makes its appearance here, was certainly in the beginning directed towards sex matters, the sex-life, especially the sex-life of the parents, and then became a strong motive which impelled the girl to an early marriage. In this way the visit to the theatre becomes an obvious representative substitute for being married. In the momentary annoyance at her early marriage she recalls the time when the early marriage was a wish-fulfillment for her, because she had satisfied her curiosity; and she now replaces the marriage, guided by the old wish-impulse, with the going to the theatre.