"A second combination. It is a clear winter day. The streets are piled high with snow. I agree to go on a sleighing party, but must wait a long time before the announcement comes that the sleigh is at the door. Then follow the preparations for getting in--the fur coat is put on, the footwarmer dragged forth--and finally I am seated in my place. But the departure is still delayed until the reins give the waiting horses the tangible signal. Now they pull; the vigorously shaken bells begin their familiar Janizary music so powerfully that instantly the spider web of the dream is torn. Again it is nothing but the shrill tone of the alarm clock. "And still a third example. I see a kitchen maid walking along the corridor to the dining room with some dozens of plates piled high. The pillar of porcelain in her arms seems to me in danger of losing its balance. 'Take care!' I warn her. 'The whole load will fall to the ground.' Naturally, the inevitable retort follows: one is used to that, etc., and I still continue to follow the passing figure with apprehensive glances. Sure enough, at the threshold she stumbles--the brittle dishes fall and rattle and crash over the floor in a thousand pieces. But--the endless racket is not, as I soon notice, a real rattling, but really a ringing and with this ringing, as the awakened subject now realizes, the alarm has performed its duty." These dreams are very pretty, quite meaningful, not at all incoherent, as dreams usually are. We will not object to them on that score. That which is common to them all is that the situation terminates each time in a noise, which one recognizes upon waking up as the sound of the alarm. Thus we see here how a dream originates, but also discover something else. The dream does not recognize the alarm--indeed the alarm does not appear in the dream--the dream replaces the alarm sound with another, it interprets the stimulus which interrupts the sleep, but interprets it each time in a different way. Why? There is no answer to this question, it seems to be something arbitrary. But to understand the dream means to be able to say why it has chosen just this sound and no other for the interpretation of the alarm-clock stimulus. In quite analogous fashion, we must raise the objection to the Maury experiment that we see well enough that the stimulus appears in the dream, but that we do not discover why it appears in just this form; and that the form taken by the dream does not seem to follow from the nature of the sleep-disturbing stimulus. Moreover, in the Maury experiments a mass of other dream material links itself to the direct stimulus product; as, for example, the extravagant adventures in the cologne dream, for which one can give no account.