A General Sketch of the European War: The First PhaseBelloc, Hilaire
History
A General Sketch of the European War: The First Phase
Belloc, Hilaire
World War, 1914-1918
Before leaving this digression, I would further remind the reader
that nowhere in the mass of the British population is this strange
theory of German supremacy accepted, and that outside the countries I
have named not even the academic classes consider it seriously. In the
eyes of the Frenchman, the Italian, and the Pole, the North German is
an inferior. His numbers and his equipment for war do not affect that
sentiment, for it is recognized that all he has and does are the
product of a lesson carefully learned, and that his masters always
were and still are the southern and the western nations, with their
vastly more creative spirit, their hardier grip in body as in mind,
their cleaner souls, and their more varied and developed ideals.
If this was the mood of the German people when the war in its first
intense moment had, as it were, cast into a permanent form the molten
popular soul, what was that of the nation which the Germans knew in
their hearts, in spite of the most pitiable academic illusion, to be
the permanent and implacable enemy--I mean the French people?
Comprehend the mood of the French, contrast and oppose it to that of
the Germans, and you will have viewed almost in its entirety the
spiritual theatre of this gigantic struggle. No don's talk of "Slav"
or "Teuton," of "progressive" or "backward" nations, mirrors in any
way the realities of the great business. This war was in some almost
final fashion, and upon a scale quite unprecedented, the returning
once again of those conflicting spirits which had been seen over the
multitudes in the dust of the Rhone valley when Marius came up from
Italy and met the chaos in the North. They had met again in the damp
forests of the Ardennes and the vague lands beyond the Rhine, when the
Roman auxiliaries of the decline pushed out into the Germanies to set
back the frontiers of barbarism. It was the clash between strong
continuity, multiple energies, a lucid possession of the real world, a
creative proportion in all things--all that we call the ancient
civilization of Europe--and the unstable, quickly growing, quickly
dissolving outer mass which continually learns its lesson from the
civilized man, and yet can never perfectly learn that lesson; which
sees itself in visions and has dreams of itself: which now servilely
accepts the profound religion of its superior; now, the brain fatigued
by mysteries, shakes off that burden which it cannot comprehend.
By an accident comparatively recent, the protagonist of chaos in these
things happened to be that rigid but curiously amorphous power which
Prussia has wielded for many years to no defined end. The protagonist
upon the other side of the arena was that same Romanized Gaul which
had ever since the fall of the Empire least lost the continuity with
the past whereby we live.
Public-domain text, read in full here on John Shaqi.
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