On these principles of classification we must give the first place to Poetry properly so called, as being the most general and least technical of the arts, and as being the basis on which all the rest depend. The impressions which it produces are less intense than those of the rest, but its sphere is evidently wider, since it embraces every side of our existence, whether individual, domestic, or social. Poetry, like the special arts, has a closer relation with actions and impulses than with thoughts. Yet the most abstract conceptions are not excluded from its sphere; for not merely can it improve the language in which they are expressed, but it may add to their intrinsic beauty. It is, on the whole, the most popular of all the arts, both on account of its wider scope, and also because, its instruments of expression being taken directly from ordinary language, it is more generally intelligible than any other. True, in the highest kind of poetry versification is necessary; but this cannot be called a special art. The language of Poetry, although distinct in form, is in reality nothing but the language of common men more perfectly expressed. The only technical element in it, prosody, is easily acquired by a few days’ practice. A proof of the identity of the language of Poetry with that of common life, is the fact that no poet has ever been able to write with effect in a foreign or a dead language. And not only is this noblest of Arts more comprehensive, more spontaneous, more popular than the rest, but it surpasses them in that which is the characteristic feature of all art, Ideality. Poetry is the art which idealizes the most, and imitates the least. For these reasons it has always held the first place among the arts; a view which will be strengthened in proportion as we attach greater importance to idealization and less to mere expression. In expression it is inferior to the other arts, which represent such subjects as fall within their compass with greater intensity. But it is from Poetry that these subjects are usually borrowed. [Music]