But, however honourable the rank which Science when regenerated will hold in the new religion, the sanction given to Poetry will be even more direct and unqualified, because the function assigned to it is one which is more practical and which touches us more nearly. Its function will be the praise of Humanity. All previous efforts of Art have been but the prelude to this, its natural mission; a prelude often impatiently performed since Art threw off the yoke of theocracy at an earlier period than Science. Polytheism was the only religion under which it had free scope: there it could idealize all the passions of our nature, no attempt being made to conceal the similarity of the gods to the human type. The change from Polytheism to Monotheism was unacceptable to Art, because it narrowed its field; but towards the close of the Middle Ages it began to shake off the influence of obscure and chimerical beliefs, and take possession of its proper sphere. The field that now lies before it in the religion of Humanity is inexhaustible. It is called upon to idealize the social life of Man, which, in the time of the nations of antiquity, had not been sufficiently developed to inspire the highest order of poetry. [Poetic portraiture of the new Supreme Being, and contrast with the old] In the first place it will be of the greatest service in enabling men to realize the conception of Humanity, subject only to the condition of not overstepping the fundamental truths of Science. Science unassisted cannot define the nature and destinies of this Great Being with sufficient clearness. In our religion the object of worship must be conceived distinctly, in order to be ardently loved and zealously served. Science, especially in subjects of this nature, is confined within narrow limits; it leaves inevitable deficiencies which esthetic genius must supply. And there are certain qualities in Art as opposed to Science, which specially qualify it for the representation of Humanity. For Humanity is distinguished from other forms of life by the combination of independence with co-operation, attributes which also are natural to Poetry. For while Poetry is more sympathetic than Science, its productions have far more individuality; the genius of their author is more strongly marked in them, and the debt to his predecessors and contemporaries is less apparent. Thus the synthesis on which the inauguration of the final religion depends, is one in which Art will participate more than Science, Science furnishing merely the necessary basis. Its influence will be even greater than in the times of Polytheism; for powerful as Art appeared to be in those times, it could in reality do nothing but embellish the fables to which the confused ideas of theocracy had given rise. By its aid we shall for the first time rise at last to a really human point of view, and be enabled distinctly to understand the essential attributes of the Great Being of whom we are members.