A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of WirtembergHay, Marie, Hon. (Agnes Blanche Marie)
General
A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of Wirtemberg
Hay, Marie, Hon. (Agnes Blanche Marie)
Grävenitz, Christina Wilhelmina von, 1685-1744
Meanwhile Wilhelmine sat in her yellow salon listening to the sounds from
the market-place which floated to her across the gardens behind the
Jaegerhaus. She heard the flare of trumpets which greeted the Duke, the
roar of the enthusiastic people acclaiming their warlike sovereign; then
followed silence, Osiander must be pronouncing his benediction, she
thought. Again a flourish of trumpets, men shouting, and then she heard
the grand hymn, 'Ein' Feste Burg ist unser Gott,' sung by thousands of
voices and brayed out by the brass instruments. The sound came nearer:
she could hear the tramp of feet, the clatter of horses, the cries of the
people. The musicians played a march: it seemed to Wilhelmine that it
became more triumphant, more blatant, as the cortege passed near the
Jaegerhaus; yet the boisterous military music held a note of pathos,
something infinitely moving at this terrible farewell hour, and the
listening woman wept bitterly, and, God knows! she forgot to hide her
sorrow-distorted mouth at that moment.
* * * * *
The days dragged on. May came cold and unfriendly, as April had been, and
Wilhelmine thought that all the warmth of the world must have departed
when Eberhard Ludwig went to the frontier to do battle. The lilacs came
to a tardy bloom, and even on the cold ungenial air there floated a
divine fragrance. News came from the Duke--dull news, all detail of the
organising and improvement of troops. Passionate words intermingled in
these letters to Wilhelmine, old faded yellow curiosities now. Madame de
Ruth, Zollern, and Stafforth often visited the favourite at the
Jaegerhaus, and Wilhelmine's innate desire to please--that impulse which
must ever belong to the 'charmeurs' and especially to the 'charmeuses' of
the world--taught her to forget her sadness when she was with her
friends, and thus some brighter hours were passed. She sang, and if her
singing were more truthfully passionate and more sad than of yore, it was
surely love which had taught her greater depth. Only Madame de Ruth, the
old courtesan, realised that not love but love's sadness had given that
tone to the glorious voice; and Madame de Ruth looked at Zollern, her
eyes full of tears, but Zollern leaned his chin on the mythologically
ornamented china handle of his stick and revelled in a thrill, a spark of
youth's desire, which the younger woman's voice had rekindled. Men are
promiscuous to the end of their lives. Why blame them? God made them so.
Public-domain text, read in full here on John Shaqi.
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