A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of WirtembergHay, Marie, Hon. (Agnes Blanche Marie)
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A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of Wirtemberg
Hay, Marie, Hon. (Agnes Blanche Marie)
Grävenitz, Christina Wilhelmina von, 1685-1744
Now the coach entered the first gate of the palace, and once more the
outrider was obliged to proclaim and assure the identity of the
carriage's occupant. This time the sentry flatly refused to believe him,
and it was necessary to call the Captain of the Guard. Here the
Duchess's spirit asserted itself. She summoned the Captain to the door of
the coach and haughtily bid him admit her immediately. But the Captain, a
youth appointed by the Graevenitz, feared her Excellency's displeasure
more than God or man, and though he was gentleman enough to treat the
Duchess courteously, he begged her to wait while he repaired to the
Landhofmeisterin for instructions. No one was admitted to the palace
without permission from her Excellency, he said.
The Duchess inquired if Madame de Ruth was in the castle. At least, she
hoped that for the sake of old memories the grande Maitresse du Palais,
'Dame de Deshonneur,' as she had once named her, would have sufficient
humanity to help her now. Madame de Ruth was in the castle, the Captain
replied, but she was very old and infirm, and he feared to disturb her
afternoon rest. Very old and infirm? The Duchess sighed. Ah! many years
had passed since she had seen the garrulous lady. Alas! she was no longer
young herself. God in heaven! why did that sinful, triumphant wanton
alone retain her beauty? She had been told that the Landhofmeisterin,
like some evil giant tree, seemed to grow more beautiful, more
resplendent each year. It was not true; for Time had set his cruel
fingermarks upon Wilhelmine, but her wonderful health and her complaisant
knowledge of success gave her a seeming youth. True, the pert little
French dressmaker could have told the Duchess of violent scenes over
gowns made to the measurements of former years, which could not fit her
Excellency; but the courtesan pays a homage to Venus, offering up the
tribute of powder, paint, and gorgeous clothes, and Venus responds by a
gift of seeming youth; while the virtuous woman is punished for her
virtue and her neglect of the Goddess of Appearance, by a shorter span of
beauty and youth. Yet there is an unerring justice in the world. When
Time has worked his inexorable will, and powder, paint, and crafty
clothing can no longer hide his ravages, then the virtuous woman
triumphs, probably for the first time in her life. They are both old, she
and the courtesan, but she is sometimes beautiful--old, grey, and sere,
but venerable, charming--and little children love her, and younger women
bring their troubles--ay, and their joys, reverently to her, feeling a
benediction in the touch of the pure, withered hand. While the
courtesan--alas! a ridiculous garish absurdity, a grim ghost of past
merriment, a horrid relic of forgotten debauches, a painted harridan at
whom the boys jeer when she passes down the street. Here is one of God's
great judgments and one of Nature's object-lessons.
Public-domain text, read in full here on John Shaqi.
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