A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of WirtembergHay, Marie, Hon. (Agnes Blanche Marie)
General
A German Pompadour: Being the Extraordinary History of Wilhelmine van Grävenitz, Landhofmeisterin of Wirtemberg
Hay, Marie, Hon. (Agnes Blanche Marie)
Grävenitz, Christina Wilhelmina von, 1685-1744
It was a brilliant assemblage, but it was well to be seen that deep
drinking had been indulged in. Besides the Erbprincessin, only Osiander
and the Erbprinz had calm and unflushed faces. The Landhofmeisterin's
eyes wandered from Friedrich Wilhelm to Eberhard Ludwig; his face was
flushed, and he swayed a little in his chair. His Highness was usually a
moderate drinker, and, though during his various campaigns he had drunk
and revelled like the rest, the Landhofmeisterin had never seen him with
that vacant, sottish look, and her soul sickened at the sight. The
Erbprincessin rose and took her leave, Friedrich Wilhelm shouting rough,
good-natured pleasantries to her. Then his Majesty's friend, Grumbkow,
craving the Duke's permission, called the lackey in charge, who produced
the King's huge pipe, and in a few minutes the Landhofmeisterin saw the
stately banqueting-hall take the aspect and smell of a tabagie. Dense
clouds of smoke rose up, and she saw that the Prussian King was again
served with an enormous jug of beer. The banqueting-hall was transformed,
no trace of elegance or courtly grace seemed to remain; it had become a
pothouse, of which Eberhard Ludwig was the jovial host. The
Landhofmeisterin quivered with disgust, his Highness appeared sunken to a
different level. She watched and listened; the music in the courtyard had
ceased, and she could hear what they said in the banqueting-hall.
'What! Sapperment! you compose fiddling tunes, young man?' Friedrich
Wilhelm was roaring at the shrinking Erbprinz. 'Just like my fool of a
son. He blows squeaks on a tube which he calls my beloved flute' (the
King gave a rough imitation of his son's refined speech). 'No good at
all, this younger generation--eh! what, old comrade? A good fight, a good
glass of beer, a good pipe, a good wife--that's what a man needs; no
French jiggery and music nonsense. Fool's play--eh, what? what?' He spoke
in German; such German as it was, too, vitiated by French words which he
could not avoid, as he knew no others, adorned with unquotable oaths,
short-clipped, rough phrases--the language of the man-at-arms in the
guard-room. Yet he possessed a certain breezy charm, and Eberhard Ludwig
seemed to respond to it. In truth, the King, when he was not in one of
his furious rages, was a boon companion, and appealed to the brutish
swagger which lies dormant in every man's being.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account