Paris (France) -- History -- Commune, 1871 -- Fiction
"But do not think," she replied, rallying, "that I am in the least
shaken because I see that the difficulty is greater than I have looked
for. Your simile of ants is not correct. Great things can be done by
individuals. Voltaire and Rousseau revolutionized French thought from
the top to the bottom. Why should not a great woman some day rise and
exercise as great influence over her sex as these two Frenchmen did? But
do not let us talk about that any more. I want to hear more about what
you are doing. I have thought of you so much during the past year--it
has all seemed so strange and so sad. Are you really working hard--I
mean steadily and regularly?"
"You evidently think that impossible," he laughed, "but I can assure you
it is true. If you doubt me I will give you Goude's address, and if you
call upon him and say that you have an interest in me--you can assign
any reason you like, say that you are an aunt of mine and intend to
make me your heir--and beg him to inform you frankly of his opinion of
my work and progress, I feel sure that he will give you an account that
will satisfy your doubts."
"I don't think I could do that," she said, seriously. "There, you are
laughing at me again," she broke off as she looked up at him. "Of course
I could not do such a thing, but I should very greatly like to know
about you."
"I do think, Miss Brander, I am working hard enough and steady enough to
satisfy even you. I did so for six months in England with a fellow named
Terrier. He was just the master I wanted. He had not a shadow of
imagination, but was up in all the technical details of painting, and in
six months' hard work I really learnt to paint; previous to that I knew
nothing of painting. I could make a colored sketch, but that was all,
now I am on the highway to becoming an artist. Goude will only receive
pupils whom he considers likely to do him credit, and on seeing two of
the things I had done after I had been working with Terrier, he accepted
me at once. He is a splendid master--out and away the best in Paris, and
is really a great artist himself. He is a peppery little man and will
tolerate no nonsense, and I can assure you that he is well satisfied
with me. I am going to set to work to do a couple of pictures on my own
account for next year's Salon. I should have waited another year before
trying my wings, if he had not encouraged me to venture at once, and as
he is very much opposed to his pupils painting for exhibition until they
are sufficiently advanced to begin with a success, it is proof that he
has at least some hopes of me."
"I am glad indeed, Cuthbert. I shan't be quite so sorry now as I have
been about your losing Fairclose. It is so much nobler to work than it
is to fritter away a life doing nothing. How tiresome it is," she said,
"that you have taken this unfortunate idea in your head of joining a
French corps. It will unsettle you altogether."
Public-domain text, read in full here on John Shaqi.
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