“I was awfully sorry to learn from your letter that you were so
lonely, and had no young friends. But your coming over to the
Alamositas will make that all right. They say Maybelle’s a very nice
girl, and I hear they have a great deal of young company at the
ranch; only, little girl as you are, I’m glad Fayte Marchbanks isn’t
at home now, or likely to be back, it seems, while you are there.
He’s not the sort of fellow for you to make a friend of.”
That was about all. He hadn’t thought worth while to say anything
about the books she wanted to discuss with him. He might have
written about them. They could have corresponded while she was at
the Alamositas, anyhow. She drew her wounded girl’s pride about her
with the declaration that she would never mention Pearse again to
any one, never write to him again nor make any effort to see him.
Then she thought miserably that this was what he had advised her to
do in the letter. Her heart sank to the ultimate zero.
Meantime Hank had his own worries. A year’s stay on a big,
prosperous ranch like the Alamositas, within easy distance of more
than one small New Mexican town—and he knew well how it went with
young folks in a ranching community, where it is out of the question
to draw any hard-and-fast social line. Quick courtships—even the
ill-considered marriages of boys and girls who were scarcely more
than children—those were the things that came about under such an
arrangement. He was full of anxiety for his girl; she must not be
sent unwarned into that sort of thing. He finally mustered up
courage to go to Miss Valeria and say that, under the circumstances,
he felt she ought to talk to Hilda about “goin’ with the boys” and
such things before they let her leave for New Mexico.
The little lady listened to him with a bewildered air, which finally
gave way to an embarrassed laugh. When he’d said his say, she
dismissed the whole matter airily with:
“But, Mr. Pearsall, the child isn’t ‘out’ yet.”
“No,” agreed Hank seriously, “but she’s a-goin’ out to-morrow, when
Marchbanks comes through for her.”
“You don’t understand me,” Miss Val said. “You don’t get my meaning.
At home, in New York, we used that expression—” She broke off, drew
her brows a little, and the bright black eyes behind the glasses
studied the ranch boss a moment before she went on: “Hilda’s a
schoolgirl—she goes to Mr. Marchbanks’ as a schoolgirl. She’s not
out in society. Naturally, she won’t be thinking of any of those
matters you mention. I certainly shouldn’t bring them up in talking
to her—it might put foolish ideas into her head.”
“You won’t take it on you to speak to her?” Hank asked.
Public-domain text, read in full here on John Shaqi.
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