She never knew when Lefty Adams took possession of Maybelle and led
her out to dance. She was not aware of Fayte’s coming from down the
room, pushing people out of his way to get to her, and then halting,
glowering and listening. She had schooled herself to show Pearse a
front of indifference, of smiling unconcern, when she should meet
him. But, after all, this almost young lady was the same Hilda Van
Brunt whose eager little face with its great questioning, welcoming
eyes Hank Pearsall had seen first looking out of the El Centro
stage, and thought how open a way happiness and pain would find to
that young heart. She had no skill at building barricades, at
wrapping veils around her spirit. It just would rush out and answer
with artless candor whenever life hailed it. At the utterance of her
name by Pearse in that tone, the pride and resentment she had tried
to gather about her melted away from her clutch like smoke-wreaths.
She tried in vain to steady her gaze beneath his, to hold that
highly desirable attitude of friendly indifference. As they stood
together looking into each other’s eyes, the earth floor beneath her
feet seemed to sink gently and slew around a bit; or was it that a
great hand lifted her and turned her bodily about, so that in a
flash all things were changed; she saw them—at a new angle?
Fayte Marchbanks, over there, with his half insolent flattery, his
open pursuit that had been disturbing, yet somehow fascinating—he
and it were as though they were not. She forgot that her first dance
would be due to him as her escort. The musicians had finally got
their instruments tuned; the violin sent out a little cry, the great
harp throbbed and twanged, the lesser beat and strum of guitars
answered, and all launched away on the music of a Spanish waltz;
Pearse said something, she hardly knew what. She had a swimming
sense of sweetness and relief as his arm went lightly around her
waist, her hand was clasped in his, and they swung forth on the
recurring surge and ebb of sound. Down the long room they circled
without once stopping. They crossed close by the dark-faced
musicians, and came slowly up the other side.
“Hilda”—Pearse found words by this time—“I hardly know you—yet it
could not have been anybody else in the world!”
She looked up into his face and smiled a bit, making no attempt to
reply.
“I saw you from across the room,” he went on eagerly. “I couldn’t
believe my eyes. Why, when I think of the little girl I saw last—”
He broke off and Hilda laughed at the recollection of her stained,
torn, cotton riding dress on that occasion, her sunburned face,
streaked with dust and perspiration, the soaked hair sticking to it.
“I must have looked a fright that day,” she half whispered.
“No—of course you didn’t!” Then he added, “But—but such a child,
Hilda! And now, all in a moment—”
Public-domain text, read in full here on John Shaqi.
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