She got Shorty—Shorty was close-mouthed, and he seldom asked
questions—to shoe her pony Sunday on his front feet, and the night
upon which they had agreed that Pearse must get away she used the
utmost of her influence with Sam Kee to get the necessary provision
of food. She had a little money—her small hoard toward the joys of
Christmas. It was eleven o’clock when she was able at last to slip
down cellar and bring back her guest. They had a night of white
moonlight for the enterprise, such a night as only the high plains
country ever sees. It appeared that every object was as clearly
visible as by day, yet all was subtly changed, flooded with
mysterious beauty.
The low, spreading ranchhouse silently brooded its sleepers; but
cottonwood leaves whispered loud in a light night breeze above the
little stream that flashed its myriads of sparkles back to the moon.
The Willow Nixies over by the tank were dimly visible, bowing down
as at some magic affair of their own. Suddenly, upon the lonely
stillness, a mocking bird gave voice. Up from deep, deep, ancient
wells that song bubbled, liquid, divine. The boy stood a moment and
hearkened, Hilda watching, breathless, furtive. He made an impatient
gesture and moved on. Without a word, the Sunday horse was led out
from where Hilda had tied him. She went to a peg on which hung a
handsome saddle, bridle and saddlecloth.
“They were papa’s,” she said.
“All right,” Pearse spoke with some difficulty. In silence he
bridled the pony, saddled him and made the bundle of provisions fast
by means of the long tie-strings. “I’ll take them, Hilda. I’ve got
to. But I’ll send them back as soon as I can.”
“Oh, no—” Hilda was beginning, but he interrupted her:
“What’ll you say to Mr. ——. What’ll you say to your Uncle Hank?”
She trembled a little at that, but answered with reasonable
steadiness:
“I think I’ll ask him not to make me tell him anything about it. I
never have asked Uncle Hank that, but he’ll do it for me. Here—you
must have this.”
Her little brown hand was putting some coins into his, and he caught
the fingers and closed them, distress, reluctance, in look and
action.
“I hate to take your money,” he broke out.
Hilda’s face raised to his, white in the moonlight, seemed more than
ever all eyes, as they slowly filled with tears. The many-hued,
gleaming cloak of romance was slipping from her; she began to feel
the chill of naked realities. In vain she strove to have it that she
was arming her prince for the fray, defending her fugitive, making
good his escape; she could not think one thought or draw one breath
as Kate Barlass, as Flora MacDonald, or any of the rest of that
devoted throng. She was just herself—her own small, lonely self—out
behind the corral with Pearse, unknown to all the sleeping
household; and it was the last time she would be there with him. He
was going away from her. A little money—what did it matter, one way
or the other?
Public-domain text, read in full here on John Shaqi.
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