When he came up breathless and spluttering, Mrs. Ashton Portway (in
black and silver) was introducing him to her husband, Mr. Ashton
Portway, known to a small circle of readers as Raymond Quick, the author
of several mild novels issued at his own expense. Mr. Portway was rich
in money and in his wife; he had inherited the money, and his literary
instincts had discovered the wife in a publisher's daughter. The union
had not been blessed with children, which was fortunate, since Mrs.
Portway was left free to devote the whole of her time to the
encouragement of literary talent in the most unliterary of cities.
Henry rather liked Mr. Ashton Portway, whose small black eyes seemed to
say: 'That's all right, my friend. I share your ideas fully. When you
want a quiet whisky, come to me.'
'And what have you been doing this dark day?' Mrs. Ashton Portway began,
with her snigger.
'Well,' said Henry, 'I dropped into the National Gallery this afternoon,
but really it was so----'
'The National Gallery?' exclaimed Mrs. Ashton Portway swiftly. 'I must
introduce you to Miss Marchrose, the author of that charming hand-book
to _Pictures in London_. Miss Marchrose,' she called out, urging Henry
towards a corner of the room, 'this is Mr. Knight.' She sniggered on the
name. 'He's just dropped into the National Gallery.'
Then Mrs. Ashton Portway sailed off to receive other guests, and Henry
was alone with Miss Marchrose in a nook between a cabinet and a
phonograph. Many eyes were upon them. Miss Marchrose, a woman of thirty,
with a thin face and an amorphous body draped in two shades of olive,
was obviously flattered.
'Be frank, and admit you've never heard of me,' she said.
'Oh yes, I have,' he lied.
'Do you often go to the National Gallery, Mr. Knight?'
'Not as often as I ought.'
Pause.
Several observant women began to think that Miss Marchrose was not
making the best of Henry--that, indeed, she had proved unworthy of an
unmerited honour.
'I sometimes think----' Miss Marchrose essayed.
But a young lady got up in the middle of the room, and with
extraordinary self-command and presence of mind began to recite
Wordsworth's 'The Brothers.' She continued to recite and recite until
she had finished it, and then sat down amid universal joy.
'Matthew Arnold said that was the greatest poem of the century,'
remarked a man near the phonograph.
'You'll pardon me,' said Miss Marchrose, turning to him. 'If you are
thinking of Matthew Arnold's introduction to the selected poems, you'll
and----'
'My dear,' said Mrs. Ashton Portway, suddenly looming up opposite the
reciter, 'what a memory you have!'
'Was it so long, then?' murmured a tall man with spectacles and a light
wavy beard.
'I shall send you back to Paris, Mr. Dolbiac,' said Mrs. Ashton Portway,
'if you are too witty.' The hostess smiled and sniggered, but it was
generally felt that Mr. Dolbiac's remark had not been in the best taste.
Public-domain text, read in full here on John Shaqi.
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