Cosette transgressed the English code governing the externals of women in various particulars. And the principal result was to make the English code seem insular and antique. She had an extremely large white hat, with a very feathery feather in it, and some large white roses between the brim and her black hair. Her black hair was positively sable, and one single immense lock of it was drawn level across her forehead. With the large white hat she wore a low evening-dress, lace-covered, with loose sleeves to the elbow, and white gloves running up into the mystery of the sleeves. Round her neck was a tight string of pearls. The combination of the hat and the evening-dress startled Henry, but he saw in the theatre many other women similarly contemptuous of the English code, and came to the conclusion that, though queer and un-English, the French custom had its points. Cosette's complexion was even more audacious in its contempt of Henry's deepest English convictions. Her lips were most obviously painted, and her eyebrows had received some assistance, and once, in a manner absolutely ingenuous, she produced a little bag and gazed at herself in a little mirror, and patted her chin with a little puff, and then smiled happily at Henry. Yes, and Henry approved. He was forced to approve, forced to admit the artificial and decadent but indubitable charm of paint and powder. The contrast between Cosette's lips and her brilliant teeth was utterly bewitching. She was not beautiful. In facial looks, she was simply not in the same class with Geraldine. And as to intellect, also, Geraldine was an easy first. But in all other things, in the things that really mattered (such was the dim thought at the back of Henry's mind), she was to Geraldine what Geraldine was to Aunt Annie. Her gown was a miracle, her hat was another, and her coiffure a third. And when she removed a glove--her rings, and her finger-nails! And the glimpses of her shoes! She was so _finished_. And in the way of being frankly feminine, Geraldine might go to school to her. Geraldine had brains and did not hide them; Geraldine used the weapon of seriousness. But Cosette knew better than that. Cosette could surround you with a something, an emanation of all the woman in her, that was more efficient to enchant than the brains of a Georges Sand could have been. And Paris, or that part of the city which constitutes Paris for the average healthy Englishman, was an open book to this woman of twenty-four. Nothing was hid from her. Nothing startled her, nothing seemed unusual to her. Nothing shocked her except Henry's ignorance of all the most interesting things in the world. 'Well, what do you think of a French "revue," my son?' asked Tom when he returned with Loulou. 'Don't know,' said Henry, with his gibus tipped a little backward. 'Haven't seen it. We've been talking. The music's a fearful din.' He felt nearly as Parisian as Tom looked.